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The _Lego_ film franchise had a nice run in its first two outings. The phenomenal response to 2014’s _The Lego Movie_ and, earlier this year, the popular emergence of _The Lego Batman Movie_ proved profitable and entertaining for the gimmicky concept that inexplicably captured the imaginations of youngsters and oldsters alike. The appeal for the yellowish block toy figures was undeniably infectious at the box office’ while leaving one wondering what was next in line for the _Lego_-mania to explore in terms of a creative nod. Well, the third time around for this animated film franchise does not necessarily invite any charm for the toy-making product that found its welcomed footing in 2011 from its Danish originators. Hence, **The Lego Ninjago Movie** is the current rain on the treasured parade of the first two installments because this flaccid fantasy shows signs of an inspired treat that has gone tepid. Clearly, **Ninjago** is the bottom rung of the laughter ladder despite its occasional invitation of free-spirited gags. It is a crying shame that **Ninjago** struggles with its irreverent approach because the whole affair feels synthetically forced in throwaway goofiness. One would think that a third sequel to a catchy _Lego_ landscape would not peter out after just a trilogy of films. There is no excuse for **Ninjago** to wallow in breezy mediocrity when it boasts three directors, an army of collaborative writers and a host of who’s who in terms of the top-notch vocal performers that commit to this flimsy fantasy. Indeed, the majority of kiddies will probably eat this latest project up without reservation. However, some of these tykes may still wonder why the spark for these young kung fu plastic protagonists may lack the frivolous flavor as experienced in the aforementioned _Lego_ predecessors. This suggestion might be simply straight-forward and logical: skip the sluggish humor of **Ninjago’s** exhaustive display of tired antics and revisit the original blueprint–the TV series _Lego Ninjago: Masters Of Spinjitsu_. The premise behind Ninjago involves a band of high schoolers whose secret identities as ninjas are sacred. The fighting force consists of the following young heroes: Lloyd aka The Green Ninja (Dave Franco), Cole (Fred Arisen), Kai (Michael Pena), Zane (Zach Woods), Jay (Kumail Nanjiani) and Nya (Abbi Jacobson). Specifically, Lloyd is at the center of major angst given that his father is the notorious Lord Garmadon (Justin Theroux). Apparently, the villainous Lord Garmadon has a corruptible urge to terrorize the city of Ninjago…something that does not sit well with the skillful young ninjas. Naturally, there is an understandable estrangement between the heroic and conscientious son Lloyd and his devil-dealing Daddy Dearest Garmadon. Yeah…this is ripped from the _Star Wars _playbook with the intentional Luke Skywalker/Darth Vader dynamic in full circle. Of course, this is a heavy torment for Lloyd because he has to carry this overwhelming secret that his deplorable old man is the team’s chief nemesis. Predictably, Lloyd and his butt-kicking buddies follow their instincts as they are the only real deal in town that can confront the wicked warlord and his minions. Lord Garmadon will stop it at nothing to torture the souls of Ninjago which, incidentally, is a city made up of…you guessed it…Lego blocks. Whether hounding the city limits with happy-munching sharks or causing chaos with the ‘mechs’ as attack weapons the kung fu crew tries its best to contain the manic madness set forth by the detestable Garmadon. **The Lego Ninjago Movie** has its moments of spryness and there are some surrealistic and sassy bits that pops up to one’s amusement (a giant furry cat overseeing the destruction being done in the plastic-built haven for instance). Still, the fruitless film does nothing to ignite anything distinctive or fresh besides its pandering pulse to push Lego merchandise as a commercialism crossover of sorts. Sure, the previous two editions had the same agenda but at least there was a pretense of a constructed story of impish ideas, off-the-cuff smirking and inventive heartiness that fueled the _Lego_ lunacy as engineered by the Phil Lord/Chris Miller oiled production machine. Sadly,** Ninjago** goes through the disjointed motions with slapdish action, lazy jokes but eye-popping set pieces that hopefully will encourage the tykes to purchase Lego toys in droves for the upcoming holiday sales. Honorable mention goes to Theroux’ dastardly take on the devious demon Garmadon, one of the few saving graces for the grown-ups to embrace in this wacky wasteland of yellow-faced toy pegs that failed to hit any tangy targets in its questionable brand of joyous absurdity. Plus, it is a momentary thrill to see martial arts icon Jackie Chan, both in real flesh and animation, doing double duty as both a wise old guide Master Wu using his wisdom to guide the courageous youthful ninjas on their quest for righteousness as well as garrulous shopkeeper spinning ancient tales. One is not quite sure where the true forum for **The Lego Ninjago Movie** should be promoted…on the straight-to-video shelves or merely being trapped in a cluttered toy box with other forgettable action figures. **The Lego Ninjago Movie** (2017) cast: Jackie Chan, Olivia Munn, Justin Theroux, Dave Franco, Fred Armisen, Abbi Jacobson, Michael Pena, Kumail Nanjiani and Zach Woods Warner Bros. Pictures 1 hr. 41 mins. DIRECTOR: Charlie Bean, Paul Fisher, Bob Logan WRITER: Paul Fisher, Bob Logan, Tom Wheeler, William Wheeler, Jared Stern. John Whittington, Hilary Winston MPAA Rating: PG GENRE: Animation/Fantasy Critic’s rating: * 1/2 stars (out of 4 stars) (c) **Frank Ochieng** 2017
Certainly not the worst film of the year, but very disappointing when stacked up against _The LEGO Movie_ and _LEGO Batman_. I think this one might **actually** just be for kids. _Final rating:★★ - Definitely not for me, but I sort of get the appeal._
Chen Zhen, a Chinese engineering student in Kyoto, who braves the insults and abuse of his Japanse fellow students for his local love Mitsuko Yamada, daughter of the director, returns in 1937 to his native Shangai, under Japanse protectorate -in fact military occupation- after reading about the death of his kung-fu master Hou Ting-An in a fight against the Japanese champion Ryuichi Akutagawa.
In the second film of the Lone Wolf and Cub series, Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must assassinate a traitor who plans to sell his clan's secrets to the Shogunate.
A barbarian named Kull becomes ruler after defeating the old king in battle. In an effort to regain the throne, the former king's heirs resurrect Akivasha, a witch queen. However, Akivasha has plans of her own for the throne, and only Kull stands in the way.
The senior class plans to have a skip-day party at the principal's house until Adam Harris leaks the secret, so he decides to save the celebration by hosting it at his house.
Katrien (Cherié van der Merwe) is dumped by her boyfriend, high school rugby star Werner (Altus Theart), so he can focus his energy on the sport. To get even, she makes a bet with her friends that she can make a star out of the school's dorkiest boy, 'Wimpie' Koekemoer (Ivan Botha), by pretending to be his girlfriend. The awkward Koekemoer rises to the challenge but Katrien finds herself falling unexpectedly in love with him, until he realizes she is merely using him.
Danny Stein, a high school senior at the bottom of the social food chain, needs a prom date. As a cause of anxiety for Danny, Bart Beeber, the nerdiest guy in school, has already found a date. At the same time, Danny's divorced parents are both looking for relationships again.
In the wake of a freak accident, Lance suffers the worst tragedy and the greatest opportunity of his life. He is suddenly faced with the possibility of fame, fortune and popularity, if he can only live with the knowledge of how he got there.
A brilliant but clumsy high school senior vows to get into her late father's alma mater by transforming herself and a misfit squad into dance champions.
High school student Paula Carson's affections are being sought after by two of her classmates: Dwight, the "bad boy", and Brian, a disturbed young man who has just been released from a mental hospital where he was committed following the suspicious death of his father. Soon after being released, more murders start happening. Is Brian back to his old tricks, or is Dwight just trying to eliminate the competition?
Lola is a striking teenaged girl who is on the cusp of adulthood and longs to rush into the adult world of independence, freedom and sexual exploits, but is tenaciously held back by her mother.
Clifford Peach, an easygoing teenager, is finding less than easy to fit in at his new high school, where a tough-talking bully terrorizes his classmates and extorts their lunch money. Refusing to pay up, Clifford enlist the aid of an overgrown misfit whose mere presence intimidates students and teachers alike. But their "business relationship" soon turns personal as Clifford and the troubled loner forge a winning alliance against their intimidators - and a very special friendship with each other.