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Sixth Sense and Nine Avenues. Il gatto a nove code (The Cat O’ Nine Tails) is written and directed by Dario Argento. It stars Karl Malden, James Franciscus, Catherine Spaak, Horst Frank, Aldo Reggiani, Carlo Alighiero and Rada Rassimov. Music is by Ennio Morricone and cinematography by Erico Menczer. Blind puzzle solver Franco Arno (Malden) and newspaper man Carlo Giordani (Franciscus) team up to see if they can solve the mystery of the murders that are terrifying the city. With their own lives becoming increasingly in danger, and the lines of investigation splintered all over the place, the men are drawn to the mysterious Terzi Institute where geneticists are tampering with gene patterns… Argento doesn’t like it and the fans are very much divided about the worth of it on the Argento curriculum vitae, yet The Cat O’ Nine Tails is a delightfully entertaining oddity. The plot is labyrinthine with relish on top, spinning the viewers into the same convoluted investigative maze that Messrs Arno and Giordani find themselves in. In fact, it’s near genius that it rarely makes sense under inspection, yet still there’s a fascinating edge to the story, with its characterisations, sexual kinks and cruel murders, there’s a power to the piece that rewards if you can just run with it, buy into Argento’s Giallo singed world. With Malden turning in a great performance and Franciscus performing to a level nobody thought was in him, the lead characters really come to life. Add to that Morricone’s creepy jazzy-garde fuelled score underlining the skew-whiff nature of the beast, and Menczer’s photography tonally muted, tech credits are at one with the themes ticking away in the narrative, a narrative that has observation, ironically, on vision, sight and minds eye. While there’s a couple of rug-pulls jostling for our attention just to keep things twisty. Then there is the director himself. The Cat O’ Nine Tails finds him restrained compared to the excess of style over substance films that would dominate his oeuvre post release of The Cat. That’s not to say there isn’t style here, there’s plenty as Argento dallies in POV, iris vision, and a nifty trick that gives the blind Arno “sight”, further ensuring that the supposed handicapped character is the key player and potential saviour of all. A number of scenes are bursting at the seams with suspense, with a cemetery/mausoleum sequence top draw, for sure Argento is firmly getting in his stride here. It’s not a gore movie, something which I personally think has led to some of Argento’s fans giving the film the cold shoulder, but it’s the tale (or tails of course) and characterisations that hold it up as being under valued. It’s a Giallo whodunit flecked with sexual stings and no little amount style draped all over it. 7/10
Okay giallo movie from Dario Argento has its moments and fine performances from James Franciscus and Karl Malden, but the end wasn't exactly satisfying. Still some entertaining scenes here and there. **3.5/5**
A group of high-school friends must come to terms with the fact that one of them, Samson, killed another, Jamie. Faced with the brutality of death, each must decide whether to turn their friend in to the police, or to help him escape the consequences of his dreadful deed.
Karate champion Matt Logan is enlisted by the police to train officers in self-defense after narcotics agents are killed by an assailant using the martial arts.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Viswam murders the people who brutally raped and killed his daughter. Now, he tries to reach out to Soorya Narayanan, a famous lawyer, whom he believes to be the only person capable of saving him.
A disturbed young man threatens violence at the World Series after failing to make the Houston Astros.
A man is accused of murder and manipulated into a web of deceit as his thought-to-be dead twin brother plots revenge on those who tried to kill him.
For the third time, HBO cameras go inside Trenton State Maximum Security Prison-and inside the mind of one of the most prolific killers in U.S. history-in this gripping documentary. Mafia hit man Richard Kuklinski freely admits to killing more than 100 people, but in this special, he speaks with top psychiatrist Dr. Park Dietz in an effort to face the truth about his condition. Filled with more never-before-revealed confessions, it's the most chillingly candid Iceman special yet as it combines often-confrontational interview footage between Kuklinski and Dietz with photos, crime reenactments and home movies that add new layers to this evolving and fascinating story.
Ran’s secret past revealed! Ten years ago, something happened between her mom and dad. Now, plagued by nightmares, Ran is starting to remember… Meanwhile, a murderous card dealer breaks out of jail to seek revenge. His target: Ran’s father. Can Conan stop him in time and save his girlfriend’s family?
Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.
Following a series of drug deals and murders, three criminals - Fantasia, Ray Malcolm and Pluto - travel from Los Angeles to Houston, finally arriving in a small Arkansas town to go into hiding. Two detectives from the LAPD, who are already on the case, contact the town's sheriff, Dale Dixon, to alert him of the fugitives' presence in the area. Underestimating Dixon, the criminals have no idea what they are about to face.
The beautiful but unfaithful wife of a successful lawyer meets her untimely end at their anniversary dinner. After a suicide note is found soon after her death, it seems more likely that she was murdered, as all the dinner guests had good reason to want her dead.