Opération Lune

A retrospective documentary on filmmaker Andrew Leavold's debut feature, 'Lesbo-A-Go-Go' (2003). This is the tale of a man with big ideas but no budget who assembled a crew and set out to make a faux sixties exploitation film, the kind of film he would want to see though sadly at the time due to the niche nature of the subject matter very few else did. Despite its entrapment in distribution limbo for over a decade, 'Lesbo-A-Go-Go' has garnered a minor cult reputation internationally and this documentary explores the film's sordid production history as well as its enduring legacy. A no-holds-barred tell-all tale with interviews from cast, crew and industry professionals interspersed with never-before-seen alternate takes, bloopers and behind-the-scenes footage from the film.

Pioneering video mixtape created by Film Threat founder Chris Gore, featuring juxtaposed clips of video oddities with an overarching theme of punk rock and its impact on society.

The mountains of Oaxaca harbor the remains of a ravaged and burnt shelter, once home to a psychoanalyst priest who used it to look after savage children, trying to re-integrate them into society. Through videotape diaries and interviews, the truth of what happened is shockingly revealed.

One Ordinary Dad’s journey to impress his kids by becoming New Zealand’s best athlete. Ever.

1931: in Ireland, a film maker hears of an aged ship's carpenter who knows the fate of the Hollandia, a Norse ship that set sail in 1905 and vanished. The old salt has canisters of film to prove his tale. We see the footage as he narrates. They sail south in June, 1905, with scores of Siberian huskies aboard, meeting no living soul, the crew ignorant of the trip's purpose, until they reach Antarctica. A mysterious Italian paces the deck; a polar bear appears, and the Italian, possessed, hunts it down. That night, the boatswain explains to the crew how an Arctic bear could be at the South Pole and why the Hollandia has come. Visitors arrive, and the Gothic tale plays out.

Said to be deadliest great white shark of all time, Submarine is a 30-foot shark that has terrorized the shores of South Africa for decades. Locals believe this shark is responsible for countless fatal attacks, but its existence has never been proven.

April 13th, 1970, 180,000 miles from Earth, a devastating malfunction leaves Apollo 13 leaking previous oxygen and its crew of three astronauts facing a life and death crisis. If Mission Control cannot find a way to bring Apollo 13 home, the astronauts will be stranded 200,000 miles from Earth in their dying ship. Now with limited power and supplies on board the spacecraft, the ground teams work around the clocking, engineering creative solutions to overcome carbon dioxide poisoning, dehydration and the freezing temperatures of deep space, to ensure the crew's survival. Using spectacular NASA footage, exclusive interviews with Apollo space scientists and stunning visual effects; this film explores the thirteen remarkable factors that brought the crew safely home, and the full story of the courage and ingenuity that cemented Apollo 13 as NASA's finest hour.

In September 2004, Chechen rebels occupied a school in the small Russian city of Beslan, taking some 1,200 people-most of them children-hostage. At the end of three days, over 330 were dead.

Throughout history, regimes have used terror attacks as a means of control over their populations, and for the last 100 years, Western governments have employed the same measures.

At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?