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**_Spanish cabin-in-the-woods, except it’s castle-in-the-woods and the monster is Drac_** In the Tihuța Pass of the Carpathian Mountains north of Transylvania, a stagecoach consisting of five travelers, one male and four females, breaks down and they have no recourse but to seek sanctuary at a nearby sanitorium. They are welcomed by Doctor Marlowe (Paul Naschy), but could he really be... "Count Dracula’s Great Love" (1973), aka “Cemetery Girls,” is basically a Spanish sequel to Hammer’s Dracula flicks up to “Scars of Dracula.” It’s most reminiscent of “Dracula, Prince of Darkness,” but also contains bits that bring to mind “The Satanic Rites of Dracula,” which was released after this one. Naschy was of course the king of Spanish horror from the late 60s to the 2000s. This was his only stab at playing Dracula and the first cinematic depiction of the Count in a more romantic light, which would influence Frank Langella’s 1979 version and Coppola’s 1992 movie. Here, Paul sorta looks like Brando when he was younger. Haydée Politoff stands out on the female front with her glorious locks of auburn hair. She ends up being the main female character but, ironically, Naschy didn’t ‘click’ with her. Interestingly, this is essentially a cabin-in-the-woods flick, as pointed out in my title blurb. The ‘cabin’ just happens to be a castle or, more specifically, a sanitorium; and the era just happens to be the early 1900s. There’s even a skinny-dipping sequence. If you’re in the mood for a Hammer-esque Dracula flick with crumbling castles, eldritch woods, stagecoaches, spooky rumors spoken in hushed tones, women in Victorian apparel, bloodsucking vampires, Dracula’s ‘brides,’ diabolical rituals and female breasts, this fills the bill. The ending’s unique and I loved it, but there are some questionable things, like the corny booming voice that curiously comes out of nowhere and the overkill top nudity (which smacks of shallow exploitation). It runs 1 hour, 25 minutes, and was shot in Madrid. GRADE: B-
Larry works the night shift at a convenience store. He can't get a girl, and he hates his life. But that's not his biggest problem: He's a vampire, and he has to learn how to become a vampire in order to become a man.
Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
Three American college students studying abroad are lured to a Slovakian hostel, and discover the grim reality behind it.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
Molly Stewart, a teen at the top of her class who survives by working nights as a prostitute on Hollywood Blvd, finds her world beginning to fall apart when a depraved, necrophiliac serial killer begins targeting LA’s streetwalkers.
A man who serves in the war between the forces of Light and Dark comes into possession of a device that can restore life to Moscow, which was nearly destroyed by an apocalyptic event.
Matt and Sherman are sent out to find Pandora, a legendary supreme being which is capable of deciding the fate of the world.
Serbia, in the year 1910: Milena Strasek has lived with her 12-year-old son Stefan in a small village since the father abandoned the family shortly after Stefan was born. Many years of uncertainty concerning the man’s whereabouts have taken their toll: Milena Strasek falls seriously ill and dies, leaving her son alone in the empty house. The father appears the following night. He has come to take his son, but Stefan refuses to go with him. It is a fateful encounter, changing Stefan for the rest of his life.
In an apocalyptic future world, a young upper class couple is visiting an exhibition of surrealistic paintings, presented by a group of young anarchists in their loft flat where they trap and torture their high society guests.
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
