Armin und die blaue Tonne

The night of November 8, 1923, is arguably the most significant and transformative in the history of the twentieth century. A localised uprising in the Bavarian capital of Munich, led by a small man with a toothbrush moustache and a poisonous yet compelling grandiloquence, would have repercussions that would lead to the political shackling of an entire nation, the most abhorrent crimes of the century and a world war. You might say, Adolf Hitler came of age amid the smell of sweat and sawdust of a Munich beer hall. In the political chaos of 1923, he was a local irritant, gaining popularity among workers and soldiers, the ethos of his Nazi Party spreading like a virus. His first attempt at attaining true power came with an attempted putsch on the already separatist government of Bavaria, which left him imprisoned.

Megacities is a documentary about the slums of five different metropolitan cities.

This short film presents an unusual Beverly Hills store called the Patio Shop, where trash is turned into art.

The film was shot in an old, decrepit building where dozens of guest-workers' families live. The owner, a local influential politician, has avoided paying for the maintenance of the building under the legal standards by using his connections to proclaim the building a national cultural heritage. However, the rent he has been charging was as if the building were an object that offered standard comfort. The only German tenant takes the crew around and speaks of his battle against the landlord’s manipulation.

Shot in Munich just a few weeks after it was taken by the American troops on April 30, 1945.

Franky is a unique street sweeper who cleans his neighborhood in Munich every morning at 4:30. In addition to his work on the streets of Munich, he is also a painter and hobby philosopher.

In this documentary, which features unreleased demo tapes and very personal interviews, the band looks back at its beginnings, at major achievements, and at hard times.

As the world continues to come face to face with the consequences of decades of environmental degradation, Danny Kim’s documentary Zero Waste explores the ways that five individuals in South Korea have taken it upon themselves to create solutions to the country’s plastic waste problems, which has been exasperated by the global pandemic, and whether their efforts can be enough to make up for decades of neglect. Both sobering and uplifting, Zero Waste paints a portrait of both the magnitude of the problem, and the perseverance of those people willing to address them.

They do not earn millions, yet they are happy nonetheless: Maria Meissner (87), Josef “Sepp” Schmid (74), and Rudi Egerer (65) have spent most of their lives working for FC Bayern. Maria still cleanses the trophies nowadays, Sepp still washes and prepares the jerseys of the players in the basement, and Rudi is still the bus driver. They are simple people who may have access to the glamorous world of the big stars, but who never wanted to adapt to the ‘modern times’ unconditionally. They have remained side characters and experience their club from a special angle: Being witnesses of the development from a people’s sport to star cult and commercialisation.