War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
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Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
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It's quite interesting that the relationships crucial to the telling of this tale are not as history defines them. Alexander VI (Rodrigo Borgia) is described as the uncle to brothers Cesare and Juan, who's cousin is Lucrezia and he is not her father either. Perhaps a nod to the supposed celibacy of the papacy, or just being polite? In any case, it matters little to the plot which is essentially more about Cesare (Conrad Veidt) than his eponymous sister (Liane Haid). Even at the age of just 29, Veidt manages to present us with a suitably sleezy, devious and manipulative character whose views on women offer them little better than the status of a chattel - high or low born; except - that is - for his sister with whom he has an almost incestuous infatuation. When his younger brother "Juan" (Lothar Müthel) tries to bring his brother's despicable behaviour to their father's attention, that diversion is distracted by Cesare with some new information on the whereabouts of the radical preacher Savaronola (acquired through a fun scene with a fake poisoning). Meantime, his three henchmen led by the brutally efficient Micheletto (Paul Wegener) dispose of the pesky brother - and of any of her suitors that come their way - despite her objections, and her absconding to a convent. It's the dictionary definition of internecine, with sibling rivalries, betrayals and a character (Cesare) whom Machiavelli is supposed to have described as the "New prince" - and I don't think he was being particularly complimentary. Richard Oswald gets great value from this cast - Albert Basserman is on good form as their holy father too - and from the collection of seriously rich storylines. The concluding battle scenes, though not historically accurate from what I remember - add a suitably appropriate, almost virtuous, conclusion to this classic political and romantic intrigue - the castle could have been designed by Salvador Dali! It's great, this - well worth a watch.
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
An early Thomas Edison short. A young woman is kidnapped while attending a play in Chinatown. A reporter attends another play in Chinatown, is likewise kidnapped and rescues the young woman. Preserved by the Academy Film Archive in 2011 in partnership with the National Film Preservation Foundation New Zealand Project.
A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.