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As usual the so-called critics wrote it down quite a lot but the reviews by ordinary people gave it a much better score (although not stellar). Not very surprising of course since those self-proclaimed besserwissers always moan about films made just to entertain. I found the film well worth the time and money spent. Of course the plot was not very intriguing but is there anyone who would really expect that from a film like this? It’s clearly aimed at younger people and people with a liking for magic and old-fashioned adventure. The effects where really nice and I certainly liked the old-fashioned magic theme. The fact that the lead actor was Nicolas Cage of course helps a lot as well.
Good enough, if nothing standout. 'The Sorcerer’s Apprentice' is an interesting film. The premise isn't anything revolutionary, it follows the same beats that a load of these sorta films do; I recall 'Bulletproof Monk' and 'Percy Jackson & the Olympians: The Lightning Thief' having similar-ish set-ups. That's not to say it isn't enjoyable, as I did like it. Nicolas Cage always manages to entertain one way or another, while Jay Baruchel works well for the comedic stuff in particular. Alfred Molina makes another live-action Disney appearance, following on from 'Prince of Persia: The Sands of Time' two months prior. He's solid, but better in the latter. The special effects are excellent, I really enjoyed seeing it all come to life onscreen. The score is decent, though the pacing could've been finer. Overall, it's a film I just about feel satisfied with. Worth a watch? Sure.
Aside from an entertaining scene with some of Lukas' wonderful "L'Apprenti Sorcier" and some overly enthusiastic mops, this is a really poor adaptation of this Arthurian legend. In days of old, "Merlin" manages to imprison "Morgana" (Alice Krige) inside a sort of Russian doll. It falls to "Balthazar" (Nicolas Cage) to keep it safe over the millennia until the successor to the sagely old wizard emerges. Well it does, in the unlikely guise of the rather geeky "Dave" (Jay Baruchel) and so it falls to the former to train the hapless latter in the arts of sorcery. Meanwhile, the nasty "Horvath" (Alfred Molina) is bent on releasing the witch from her captivity, and aided by a Billy Idol style rocker "Drake Stone" (Toby Kebbell) is hot on their trail. To be fair, the intention is good - there is plenty of quickly-paced action, the visual effects are adequate and it really looks ok. The acting, though, is pretty terrible. There isn't the slightest hint of a spark between Cage and his young protege; Molina as the suave and ruthless "Horvath" falls fairly flat and the rest of the cast really just serve to clutter this up. Apart, that is, from Kebbell who is having a little fun. The dialogue is unremarkable, and at ten minutes shy of two hours, this is also just way too long. Pity. It has the resources to be good - just let down by the imagination of Messrs Cage and Turteltaub.
John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
Dashing legionnaire Rick O'Connell stumbles upon the hidden ruins of Hamunaptra while in the midst of a battle to claim the area in 1920s Egypt. It has been over three thousand years since former High Priest Imhotep suffered a fate worse than death as a punishment for a forbidden love—along with a curse that guarantees eternal doom upon the world if he is ever awoken.
Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.
Strange phenomena surface around the globe. The skies ignite. Terror races through the world's major cities. As these extraordinary events unfold, it becomes increasingly clear that a force of incredible magnitude has arrived. Its mission: total annihilation over the Fourth of July weekend. The last hope to stop the destruction is an unlikely group of people united by fate and unimaginable circumstances.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
Young Dorothy finds herself in a magical world where she makes friends with a lion, a scarecrow and a tin man as they make their way along the yellow brick road to talk with the Wizard and ask for the things they miss most in their lives. The Wicked Witch of the West is the only thing that could stop them.
In his homeland of Alagaesia, a farm boy happens upon a dragon's egg - a discovery that leads him on a predestined journey where he realized he's the one person who can defend his home against an evil king.
The Dynamic Duo faces four super-villains who plan to hold the world for ransom with the help of a secret invention that instantly dehydrates people.
With his eye on a lovely aristocrat, a gifted illusionist named Eisenheim uses his powers to win her away from her betrothed, a crown prince. But Eisenheim's scheme creates tumult within the monarchy and ignites the suspicion of a dogged inspector.
Cheung Yan-Lai, framed by his elder brother Cheung Yan-Tsuen, is sent to jail. He manages to escape and plans to take revenge along with a sorcerer, who uses orangutan blood to turn the Yellow Hair Monster into a lethal weapon.
