La part du hasard

A routine tow lands Mater in Tokyo, where he is challenged to a drift-style race against a nefarious gang leader and his posse of ninjas. With the help of his friend, 'Dragon' Lightning McQueen, and some special modifications, Mater attempts to drift to victory and become Tow-ke-O Mater, King of all Drifters.

196X. Anna, an enigmatic and attractive professional kidnapper, abducts The Professor during his wedding ceremony on request from one of the latter's former girlfriend. This woman, whose face Anna has never seen, wishes to die with The Professor before he marries. Leaving the church with The Professor on the back seat of her motor-bike, Anna starts on the journey to the fictional city of 'Alpha Paris'.

A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.

Dead Hand episode 2. Last day of war. Last war broke out. All people are dead, but the machines continue dutifully follow orders. On the automatic base machines fueling and charge the weapons of last surviving bomber preparing to drop bombs at the dead enemy city. This happens until the echo of mankind subsides completely. Then comes a new era in which there is no place for us.

The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian communist, have always been part of her life, although she never met them in person. Her uncle Hermann lives in what was once their house, with their furniture, Marx and Lenin busts, Hanukkah lamp, countless photos, letters and oil paintings. Through the film Judith Schein asks whether it is possible for a house and its interiors to narrate History.

The movie depicts the story of a young Mazurian boy named Mietek, who crosses the line between childhood and adulthood . He stands in close contact with nature; he decoys birds and feeds them, he catches fish. But above all he is attracted to the work of the woodcutters. He watches them as they fell the trees and he helps them load the timber onto rafts that float down the river and through the sluice-gates. Finally, he joins the raftsmen and when he receives his first salary and gives a girl his first bashful look, the time has come for him to say goodbye to his childhood.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

A chicken rescue mission gone wrong leads the activists into a dangerous wilderness where they experience situations that lead to new insights such as, nature is not a safe place for animals.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)