Chaplin Today: 'City Lights'

Duarte, a visually impaired fifty-year-old, sets out to look for Leandro, his Cape Verdean friend. Despite the heat of a Lisbon summer, Duarte wanders through the streets of his neighborhood, but no one seems to have seen or to have even known Leandro. Duarte's investigation will lead him deep into the night, and will ultimately reveal his secret.

Everyone has heard about bee declines, but with so much attention focused on domesticated honeybees, someone has to speak up for the 4,000 species of native bees in North America. Natural history photographer Clay Bolt is on a multi-year quest to tell the stories of our native bees, and one elusive species – the Rusty-patched Bumble Bee – has become his white whale. Traveling from state to state in search of the Rusty-patched, he meets the scientists and conservationists working tirelessly to preserve it. Clay’s journey finally brings him to Wisconsin, where he comes face to face with his quarry and discovers an answer to the question that has been nagging him: why save a species?

A story about friendship, independence and the making of a record. Silversun Pickups deconstruct the making of their latest record “Better Nature” while starting their own record label.

The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

This project uses mixed reality convergence through which users can participate in some of the digital existing archive of Lynn Hershman Leeson, now housed in the Special Collections Library at Stanford University. Created in 2006, this project is one of the first artist archive projects in Second Life and has been exhibited at the Museum of Contemporary Art Montreal, ISEA and San Francisco Museum of Modern Art.

This "Theater of Life" documentary was produced in cooperation with the International Committee, YMCA. It focuses on the work of Dr. Spencer Hatch, as he shows residents of small Mexican villages how to make their land better able to grow food and make them more independent.

This short documentary, presented and directed by MGM sound engineer Douglas Shearer, goes behind the scenes to look at how the sound portion of a talking picture is created.

Documentary about the making of Alfred Hitchcock's "Family Plot".