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"Cojocaru's interpretation, everyone seems to agree, is one of the greatest of all time, and she continues to refine it with every performance...One of the things which makes Cojocaru so poignant in this role is a quality that one senses in the dancer herself. Something in the emotional charge of her performances, some fragility beneath the ballerina steel, emphasises the ephemeral nature of the art form. It reminds us that we must seize the day." (The Observer) "The Royal Ballet's recent triumphs continue with this exquisite Giselle. Beguiling actress-dancer Alina Cojocaru embraces both Act I's sweet rural girl and the tragic ghost of Act II." (BBC Music Magazine) "There is nothing new or revolutionary about this Giselle from the Royal Opera House but it is a beautiful production, superbly danced by a young, fresh-faced cast that dedicate themselves with heart and soul to the performance. It is expertly filmed and edited. The picture is liquid and clear, with contrasting colours, capturing the moonlit forest of Act II perfectly, wonderfully enhancing the ghostly atmosphere." (Musicweb International)
A vivid dream exploration of Moira Shearer's heart and mind, just before and after she agreed to star in Powell and Pressburger's beloved cinema classic "The Red Shoes", a decision that would change her life forever. Celebrating the original film but also shining a light on the uncanny parallels between Moira Shearer and her tragic alter ego Victoria Page. Revealing a complex and defiant young woman who ultimately chose life over fame.
Becca is always a bridesmaid, but at her cousin's wedding she bonds with Kyle, the videographer covering every stage of the planning. Perhaps she won't be the last woman standing for long.
Raymonda is betrothed to Jean de Brienne, a gallant knight who pledged to go on a crusade led by the King of Hungary. When her beloved leaves, Abderakhman, a foreign knight, makes a bid for the hand of Raymonda and threatens her fate when she rejects him…
Inspired by Lord Byron’s epic poem, this jewel of the repertoire boasts a lavish production complete with a shipwreck, pirates, and some of ballet’s most renowned scenes.
Going to see Nutcracker with the whole family has been a tradition in other countries for many years. Now it is a tradition in the Netherlands as well. It became apparent that the Netherlands had also adopted this tradition in 1996, when the Dutch National Ballet presented its own version of the famous fairytale ballet. It is a magical production that has won the hearts of more than 250,000 people to date. Choreographers Toer van Schayk and Wayne Eagling created a Nutcracker for the children and adults of today. It is more dynamic and exciting, and less sweet than usual. They also chose to give a Dutch twist to their interpretation of the story, with skaters on the canals and a living room that transforms into a snowy forest. Unlike the original story, the production by Eagling and Van Schayk (who also designed the delightful sets and costumes) does not take place on Christmas Eve in a German town, but during St. Nicholas celebrations in Amsterdam, around 1810.
With the Australian Opera and Ballet Orchestra and conductor Brian Castles-Onion, a gritty set design, sumptuous bold costumes, stunning choreography, and the inestimable direction of Gale Edwards and Bizet's glorious opera is brought to life like never before in this second Handa Opera on Sydney Harbour.
The Prince of the Pagodas is a ballet created for The Royal Ballet by choreographer John Cranko with music commissioned from Benjamin Britten. Its premiere took place on 1 January 1957 at the Royal Opera House, Covent Garden, London, conducted by Britten
The story of Francisca Sánchez del Pozo, " Paca ", and the Prince of letters, the Nicaraguan Rubén Darío. In 1956, Francisca Sánchez, married to José Villacastín, and already in the twilight of her life, receives in Navalsaúz two writers, Antonio Oliver and Carmen Conde.
Single mom Abbey takes a leap of faith to pursue her passion for interior design. When she gets hired to decorate the estate of local businessman Nick, Abbey must complete the job by Christmas Eve. With the holidays fast approaching, Abbey must figure out how to break down the wall between her and Nick, as this could be the opportunity that jump-starts her career.
After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.