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Murders and Medicinal Mania. High Wall is directed by Curtis Bernhardt and adapted to screenplay by Sydney Boehm and Lester Cole from the play by Alan R. Clark and Bradbury Foote. It stars Robert Taylor, Audrey Totter, Herbert Marshall, Dorothy Patrick and H.B. Warner. Music is by Bronislau Kaper and cinematography by Paul Vogel. Suffering from a brain injury sustained during the war, Steven Kenet (Taylor) is further rocked by the realisation that he may have strangled his wife during one of his blackout episodes. Committed to a county asylum, Steven responds to treatment by Dr. Ann Lorrison (Totter) and comes to believe he just might be innocent of his wife’s murder. But can he convince the authorities? Can he in fact get out of the asylum to find proof? By 1947 film noir had firmly encompassed the plot strand involving returning veterans from the war. Plot would find them struggling to readjust into society, they would be battle scarred, emotionally torn or suffering some form of injury, such as a popular favourite of film makers of the time, the amnesia sufferer. High Wall is one of the better pictures from the original film noir cycle to deal with this premise. Where except for a daft method used to bring the story to its conclusion, it’s a well thought out and intelligent picture. The pairing of Taylor and Totter is one of the film’s strengths, they are helped no end by having parts that requires them to veer away from roles that they were accustomed to. Bernhardt and Vogel dress the picture up superbly, the camera glides eerily around the asylum, throwing impressive shadows across the drama, and the camera technique used for Kenet’s flashback sequences proves mood magnificent. Out of the asylum the visuals still remain beautiful whilst still exuding a bleakness befitting the unfolding story, with rain drenched streets the order of the night. While Kaper drifts a suitably haunting musical score across proceedings. It’s unhurried and cares about attention to details, and even though some of the ethics involved in story are dubious, this is a smart entry in the psychological film noir canon. 7.5/10
An assassin named Tae-goo is offered a chance to switch sides with his rival Bukseong gang, headed by Chairman Doh. Tae-goo rejects the offer that results in the murder of his sister and niece. In revenge, Tae-goo brutally kills Chairman Doh and his men and flees to Jeju Island where he meets Jae-yeon, a terminally ill woman. Though, the henchman of the Bukseong gang, Executive Ma is mercilessly hunting Tae-goo to take revenge.
A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.
A hard-working mother inches towards disaster as she divorces her husband and starts a successful restaurant business to support her spoiled daughter.
Fly Detective Francis McFly loses his partner to the infamous ‘Croaks’, a frog gang at the centre of his most recent investigation. Stricken by grief, he decides to get revenge, and go head to head with their ravenous leader, The Frogfather.
In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.
A mentally disturbed man takes residence in a halfway house. His mind gradually slips back into the realm created by his illness, where he replays a key part of his childhood.
Libby Parsons, wrongly convicted for her husband Nick's murder, thinks he is still alive and wants to settle the score and find their son. As she has been tried for the crime, she cannot be re-prosecuted if she finds and kills Nick.
A dramatic and penetrating examination of the intellectual and moral standards existing at Oxford University, England, in the early 1970s.
Following the suicide of her only friend, outcast teen Rachel Lang's life begins a downward spiral that will not only affect her but take everyone around her down in horrifying fashion.
A top Marine sniper, Bob Lee Swagger, leaves the military after a mission goes horribly awry and disappears, living in seclusion. He is coaxed back into service after a high-profile government official convinces him to help thwart a plot to kill the President of the United States. Ultimately double-crossed and framed for the attempt, Swagger becomes the target of a nationwide manhunt. He goes on the run to track the real killer and find out who exactly set him up, and why, eventually seeking revenge against some of the most powerful and corrupt leaders in the free world.