The Trades - (Mar 14th)
Christina on the Coast - (Mar 14th)
Law and Order Toronto- Criminal Intent - (Mar 14th)
All In with Chris Hayes - (Mar 14th)
Grind - (Mar 14th)
The Rachel Maddow Show - (Mar 14th)
Yellowjackets - (Mar 14th)
Power Book III- Raising Kanan - (Mar 14th)
The Last Word with Lawrence ODonnell - (Mar 14th)
The Young and the Restless - (Mar 14th)
The Bold and the Beautiful - (Mar 14th)
The Price Is Right - (Mar 14th)
Animal Control - (Mar 14th)
Lets Make a Deal - (Mar 14th)
Doctor Odyssey - (Mar 14th)
Law dis-Order - (Mar 14th)
Going Dutch - (Mar 14th)
Law and Order- Special Victims Unit - (Mar 14th)
Matlock - (Mar 14th)
Severance - (Mar 14th)
A documentary that explores the challenges that a life in music can bring.
This documentary gives a voice to organizers, DJs and party guests. Through their memories and confessions as well as unpublished videos and photos 20 years of history come back to life.
From Dr Who to The Dark Side of the Moon to modern day dance music, the pioneering members of the Electronic Music Studios radically changed the sound-scape of the 20th Century. What the Future Sounded Like tells this fascinating story of British electronic music. What The Future Sounded Like mixes experimental visual and sonic techniques with animation and never-seen-since archival footage. A sonic and visual collage, this documentary colors in a lost chapter in music history, uncovering a group of composers and music engineers who harnessed technology and new ideas to re-imagine the boundaries of music and sound.
What is Breakcore? Breakcore is the "bastard hate child" of jungle, happy hardcore, gabba, speedcore, drum 'n' bass, techno, IDM, acid, ragga, electro, dub, country, industrial, noise, grindcore, classical music, hardcore, metal and punk.
An intimate portrait into Tony, Lui Ho Yin, a 32 year-old skater, chef, photographer and model.
Fall in love with our Avon and the people fighting to protect it, the Bristol way! Rave On For The Avon is a feature-length documentary film that follows campaigners and river lovers through six seasons: their highs and lows, love and loss.
In the final days of the yuppie decade, the summer of ’89 saw a new type of youth rebellion rip through the cultural landscape, with thousands of young people dancing at illegal Acid House parties in fields and aircraft hangars around the M25. Set against the backdrop of ten years of Thatcherism, it was a benign form of revolution, dubbed the Second Summer of Love – all the ravers wanted was the freedom to party… The rave scene, along with the drug Ecstasy, broke down social barriers and even football hooligans were ‘loved up’, solving a problem the government had never managed to crack. But lurid tabloid headlines and cat-and-mouse games with the police eventually turned the dream sour, as the gangster element moved in at the end of the summer.
Do you look back on the optimism of the 1997-2001 era as a lost golden age, or do you see it as a period of naïvety, delusion and folly? There’s a lot of nostalgia for the nineties at the moment, especially from people too young to remember it who see the decade as a simpler, pre-internet time. Modern nostalgia often draws on corporate American-90s mall culture, but what about British culture? With I’ve Been Trying To Tell You – made to accompany the Saint Etienne album of the same name – director Alasdair McLellan evokes the era through the fog of memory. The resulting film, shot in locations from Grangemouth to Portmeirion to Southampton, is both beautiful and enveloping.
The Metalheadz Documentary is an intimate and immediate account of a Drum & Bass label poised for world domination. DJs and producers talk openly of the artistic freedom they enjoy, how the label has evolved to represent such a diverse musical scene and why moving forward and pushing the boundaries is so vital. These names have created a global phenomenon and here talk for the first time of how it was achieved, where it's at and what the future holds.
From the Black Earth is a collaboration between Bristol based company Cables and Cameras, and a local farmer Humphrey Lloyd. Employing both lucid speakers and poetic camera work, the film poses stark questions such as; why does food poverty exist in a nation of plenty, and why are people of colour so under represented not only in our countryside and farms, but in the environmental movement more broadly? By giving a platform to people of colour who are connecting with nature and working the land, this short documentary starts to unpick these questions...