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The Last American Vagabond - (Jan 30th)
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The Nature of Things - (Jan 30th)
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Black sheep like to make everybody else look black. Force of Evil is directed by Abraham Polonsky, who also adapts the screenplay from the Ira Wolfert novel Tucker's People. It stars John Garfield, Thomas Gomez, Beatrice Pearson, Marie Windsor, Howard Chamberlain and Roy Roberts. Music is by David Raksin and cinematography by George Barnes. Plot finds Garfield as lawyer Joe Morse, who works for powerful gangster Ben Tucker (Roberts). Tucker has a plan to control all of the numbers rackets in New York, something that with the fix on the numbers up and coming for the 4th July, will see all of the smaller number rackets go bust. This is a problem for Morse because his big brother Leo (Gomez), is one such operator, an honest good guy who did everything he could to ensure that Joe had a proper start in life. It has come to be regarded as an influential and important movie in the film noir pantheon. Big critics, big film makers and film noir aficionados, all have queued up to salute Polonsky's film. If it's worthy of such elegant praise will always be debatable, but film does have a uniqueness about it, using stylised dialogue passages and in opening up a corrupt and socially bankrupt can of worms for the cinema loving world, Polonsky has crafted a thematically potent 1940's crime picture. The exchanges between Garfield and love interest Pearson, have an almost poetic flow to them, this in a film that for most of its running time shows that badness can not be beaten, or at best that it can't be railed against or broken away from so easily. While the biblical tones, both allusions and allegorically speaking, also give the picture some added power. Though mostly talky in the main, it does burst into shocking violence for its final quarter, with a finale that contains distress segueing into the possibility of spiritual regeneration…or maybe that, too, will prove futile? Added to the biting narrative are great cast performances and evocative music scoring, and with skilled location photography adding authenticity, it's not hard to see why it has come to be so revered. Not as bleak as the title suggests, and veering a bit close to being too arty for its own good sometimes, but still a fine experience and it rewards more on further viewings. 8/10
A Mexican biologist living in New York returns to his hometown, nestled in the majestic butterfly forests of Michoacán. The journey forces him to confront past traumas and reflect on his hybrid identity, sparking a personal metamorphosis.
In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan—a young boy—via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
When the videotape of the murder of a congressman unknowingly ends up in the hands of labor lawyer and dedicated family man Robert Clayton Dean, he is framed for the murder. With the help of the mysterious Brill, Dean attempts to throw the NSA off his trail and prove his innocence.
Two competing lawyers join forces to sue a prestigious law firm for AIDS discrimination. As their unlikely friendship develops their courage overcomes the prejudice and corruption of their powerful adversaries.
When a marriage of convenience becomes the real thing, Joe moves his pregnant French wife to a tenement building on New York's Lower East Side. The street is like a war zone with none of the nostalgic appeal that Joe remembers from tales of his immigrant grandparents arriving in the same neighborhood with a new life. This is the urban frontier filled with comic mixture of gentrifies, homeboys, dealers and local residents simply bent on staying a float
Takeoff on the Godfather with the son of a mafia king taking over for his dying father.
The lives of two struggling musicians, who happen to be brothers, inevitably change when they team up with a beautiful, up-and-coming singer.
When a young boy's family is killed by the mob, their tough neighbor Gloria becomes his reluctant guardian. In possession of a book that the gangsters want, the pair go on the run in New York.
Sam, a neurodivergent man, has a daughter with a homeless woman who abandons them when they leave the hospital, leaving Sam to raise Lucy on his own. But as Lucy grows up, Sam's limitations as a parent start to become a problem and the authorities take her away. Sam convinces high-priced lawyer Rita to take his case pro bono and in turn teaches her the value of love and family.
A gangster, Nino, is in the Cash Money Brothers, making a million dollars every week selling crack. A cop, Scotty, discovers that the only way to infiltrate the gang is to become a dealer himself.
An alienated teenage boy runs away from home and ventures to New York City where he falls in with a gang of juvenile delinquents working as drug dealers and pickpockets for a shady crime boss.