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Black sheep like to make everybody else look black. Force of Evil is directed by Abraham Polonsky, who also adapts the screenplay from the Ira Wolfert novel Tucker's People. It stars John Garfield, Thomas Gomez, Beatrice Pearson, Marie Windsor, Howard Chamberlain and Roy Roberts. Music is by David Raksin and cinematography by George Barnes. Plot finds Garfield as lawyer Joe Morse, who works for powerful gangster Ben Tucker (Roberts). Tucker has a plan to control all of the numbers rackets in New York, something that with the fix on the numbers up and coming for the 4th July, will see all of the smaller number rackets go bust. This is a problem for Morse because his big brother Leo (Gomez), is one such operator, an honest good guy who did everything he could to ensure that Joe had a proper start in life. It has come to be regarded as an influential and important movie in the film noir pantheon. Big critics, big film makers and film noir aficionados, all have queued up to salute Polonsky's film. If it's worthy of such elegant praise will always be debatable, but film does have a uniqueness about it, using stylised dialogue passages and in opening up a corrupt and socially bankrupt can of worms for the cinema loving world, Polonsky has crafted a thematically potent 1940's crime picture. The exchanges between Garfield and love interest Pearson, have an almost poetic flow to them, this in a film that for most of its running time shows that badness can not be beaten, or at best that it can't be railed against or broken away from so easily. While the biblical tones, both allusions and allegorically speaking, also give the picture some added power. Though mostly talky in the main, it does burst into shocking violence for its final quarter, with a finale that contains distress segueing into the possibility of spiritual regeneration…or maybe that, too, will prove futile? Added to the biting narrative are great cast performances and evocative music scoring, and with skilled location photography adding authenticity, it's not hard to see why it has come to be so revered. Not as bleak as the title suggests, and veering a bit close to being too arty for its own good sometimes, but still a fine experience and it rewards more on further viewings. 8/10
New York City detective Daniel Ciello agrees to help the United States Department of Justice help eliminate corruption in the police department, as long as he will not have to turn in any close friends. In doing so, Ciello uncovers a conspiracy within the force to smuggle drugs to street informants.
A cop clashes with his priest brother while investigating the brutal murder of a young prostitute.
A medical examiner discovers that an innocent shooting victim in a robbery died of bubonic plague. With only 48 hours to find the killer, who is now a ticking time bomb threatening the entire city, a grisly manhunt through the seamy underworld of the New Orleans Waterfront is underway.
A pair of bodyguards for a politician find their positions under threat when their employer is implicated in a scandal. Fleeing to Mumbai they find work with a gangster, but also find that the police are onto them.
Set over the course of one night in New York, Johnny Gunman follows a tense battle between two mob boss hopefuls.
A grissled cop with tendencies towards excessive force teams up with an ambitious and righteous prosecutor to track down a dangerous crime boss whom they both want desperately to catch. But their quarry resorts to devious methods to stall their investigation and eventually turn them against each other. Now the stage is set for a dangerous triangle.
The story of a group of friends, all around 30, who live in the Le Panier district of Marseille, France. It's not a bad life, made up of slightly shady dealings, nights out, sun and just hanging out. But the neighborhood is an inescapable presence. Over a period of a few summer days, their carefree lives will plunge into a predictable tragedy.
A true story of politics and art in the 1930s USA, centered around a leftist musical drama and attempts to stop its production.
After surviving an attempt on his life by his former partner, officer Cliff Garrett (Norris) exacts revenge on those who wronged him by going undercover as a hit man. He works to gain the reputation and trust needed in order to be accepted by the burgeoning Seattle-area criminal underworld, but it is all done in order to take it down from within.
Roy Martin aka Roy Morgan is a burglar and former war-time Radio & Electronics Engineer who listens in to radio police calls, allowing him to stay one step ahead of the cops.
