Secret Lives of Orangutans 2024 - Movies (Nov 29th)
Christmas Wreaths and Ribbons 2024 - Movies (Nov 29th)
Defoe 2024 - Movies (Nov 29th)
Porch Pirates 2024 - Movies (Nov 29th)
Debbie Macomber’s Joyful Mrs. Miracle 2024 - Movies (Nov 29th)
Instacult 2024 - Movies (Nov 29th)
The Bridge 2024 - Movies (Nov 29th)
Once Upon a Christmas Wish 2024 - Movies (Nov 29th)
A Christmas Less Traveled 2024 - Movies (Nov 29th)
The Window 2024 - Movies (Nov 29th)
Hitpig 2024 - Movies (Nov 29th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Beatles 64 2024 - Movies (Nov 29th)
Watchmen Chapter I 2024 - Movies (Nov 29th)
Nutcrackers 2024 - Movies (Nov 29th)
Aftermath 2024 - Movies (Nov 29th)
Unreported World - (Nov 30th)
The ReidOut with Joy Reid - (Nov 30th)
Im a Celebrity... Unpacked - (Nov 30th)
Gold Rush - (Nov 30th)
Deadline- White House - (Nov 29th)
The Beat with Ari Melber - (Nov 29th)
Cops - (Nov 29th)
The Last Leg - (Nov 29th)
Have I Got News for You - (Nov 29th)
Gogglebox - (Nov 29th)
The One Show - (Nov 29th)
Susan Calmans Grand Day Out - (Nov 29th)
Mistletoe Murders - (Nov 29th)
Junior Taskmaster - (Nov 29th)
The Chase - (Nov 29th)
Richard Osmans House of Games - (Nov 29th)
The Vietnam War - (Nov 29th)
DC Heroes United - (Nov 29th)
Deal or No Deal - (Nov 29th)
Four in a Bed - (Nov 29th)
A documentary about Ibrahim Gezer, who escaped from war in Kurdistan to Switzerland. All is lost, except his love for beekeeping.
(Re)immersing himself in body building, David Nicolas Parel endeavours to follow his younger brother as he trains for the Arnold Classic – Arnold, from the famous Austrian/American actor and politician. Convinced he is the one who inspired this passion, he worries about the risks this sport has on his brother’s health and aspires to strengthen their now strained bond. A film on the edge.
Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.
Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt
Switzerland is presently the only country in the world where suicide assistance is legal. Exit: The Right to Die profiles that nation's EXIT organization, which for over twenty years has provided volunteers who counsel and accompany the terminally-ill and severely handicapped towards a death of their choice.
Ceschi and Stamm's documentary tells the incredible story of Monika Krause, a former East German citizen, who became Fidel Castro's Sexual Education Minister. After 20 years in Cuba, Krause set the Cuban sexual revolution in motion: in favor of a woman's right to sexual fulfillment and legal abortion, and against exclusion of homosexuals, she acquired the title "Queen of Condoms". A film about potent female agitators, staunch macho men and Caribbean love lives.
The key to the communal laundry room in the block of flats on the Rue de Genève 85 in Lausanne serves a much greater function than merely unlocking the door. This encounter between a symbol of typical Swiss mentality with a penchant for order and the tenants who have been housed here by the city’s social services department is not something to be taken for granted. Although the laundry room is normally located in the cellar, the tenants in this building share a tiny laundry room off the entrance hall because the cellar is reserved for prostitution. To maintain order and cleanliness, the landlord hires Claudina, a new “laundry woman”.
Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.
Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.