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Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents — and several of her ex-boyfriends.

Bound by hate and a mystical amulet that holds the powers of life and death, two immortal wizards meet for the last time in an ancient struggle of good versus evil.

Wicket the Ewok and his friends agree to help two shipwrecked human children, Mace and Cindel, on a quest to find their parents.

Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness - and similarities to their mother - gradually gets on Martine's nerves.

A German girl travels to Israel to help people with disabilities, where she learns a lot about the role of her grandparents in WWII and meets a man who wants to move to Berlin.

Lewis, a brilliant young inventor, is keen on creating a time machine to find his mother, who abandoned him in an orphanage. Things take a turn when he meets Wilbur Robinson and his family.

In the not-so distant future, researchers at a deep-sea laboratory have finally invented a time machine. Head researcher Woo-seok is promised funding from a mega-corporation if he completes a test flight. He and Young-eun carry out the mission and travel to 11 A.M. the next day, only to find the base on the verge of collapse. All the researchers are gone and someone is out to kill them.

When Nicki finds two horses stranded deep in the Rocky Mountain snow, she makes it her mission to find a way to get them to safety. With no other options, she picks up a shovel and starts to dig out the mile-long path, inspiring her father, Matt, and the rest of the community to join together and save the horses in the spirit of Christmas.

Part religious allegory and part church pageant, it presents the heavenly trial of a woman who has died giving childbirth out of wedlock. The jailer wears a mask death's head mask and a nun's habit with a skull and crossbones on the front and God sits on an altar, flanked by angels, while the devil attempts to convict the woman for her sins. Shot with a handheld camera that doesn't always remain steady or keep the scene in frame, it is full of religious imagery and evocative folkloric elements, with flashbacks to the woman's life that provide a realism in sharp contrast to the allegorical pageantry. It shows its amateur origins, the texture, the pageantry, and the allegorical and ritualistic elements also looks forward to the American Underground cinema of Kenneth Anger, Curtis Harrington, and others in the 1950s and 1960s.

An original mix of fiction and reality illuminates the life of comic book hero everyman Harvey Pekar.