Wild Girls Gone

A group of feisty, talented young performers pool their resources and buy a dilapidated theatre to showcase their acts – but unscrupulous property developers also want the theatre and resort to dirty tricks to disrupt the first night's performance!

This documentary chronicles the decade-long run of the Eugene Mirman Comedy Festival – including a final farewell show. The film celebrates Eugene’s unique brand of humor and his role in the alternative comedy movement, offers a bittersweet goodbye to an era, and reminds us of the healing properties of comedy – even in the most challenging of life’s circumstances.

A ragtag group of misfits embark on a wild space adventure to Mars, only to discover they’ve been bamboozled by a billionaire.

After a DUI brings Arnold to rock bottom, living in his van gets worse when it breaks down outside of a raunchy underground comedy club. Now Arnold will chase a dream he never pursued - if he can earn the trust of the crazy family he never knew he needed.

A crazy group of pioneers brave the harsh elements and numerous mishaps to travel thousands of miles out west to find a place to call home.

When an international border dispute arises between the U.S. and Canada, the Super Troopers- Mac, Thorny, Foster, Rabbit and Farva, are called in to set up a new Highway Patrol station in the disputed area.

There's No Business... is a 1994 British partially improvised comedy film directed by Kevin Molony and produced by Claudia Lloyd for Prospect Pictures. It stars Raw Sex (Simon Brint and Rowland Rivron) as Ken Bishop and his stepson Duane, and Lee Cornes as their musical agent Dickie Valentino, in their attempt to remake a track by Ken's old band, 'The Nice Twelve' for a TV advert for 'Pinkies', a brand of kitchen gloves made by Mort Clayton (Mac McDonald). Alexander Armstrong (Tim) and Sam Graham (Fergus) work for the fictional advertising agency Sprote and Sprote. The film takes its name from the 1954 film There's No Business Like Show Business which itself borrowed the 1946 song of the same name by Irving Berlin, written for the musical Annie Get Your Gun.

My debut Comedy Central special, PAID REGULAR, is a tribute to my stand-up origins. I shot in the Original Room at the Comedy Store in Hollywood. It's where half the great comics for the last 40 years have worked out on a nightly basis. It's where I've gone up on stage more than anywhere else in the world. To me, this is what comedy is supposed to look like. My bits are about me exploring the hackiness of racism, life in weed-challenged NYC, and all the ways you too can challenge authority. And you also get some of my favorite material that we had to cut down for the broadcast edit. The Walking Dead bit was the one that hurt the most to have to cut out for TV. And there's a public service announcement that you should for sure watch with that special person in your life (unless you're both lesbians).

Try to keep up as comedian Todd Glass delivers rapid-fire stand-up that bounces from his heart attack to his coming out to how to eat a Kit Kat.

Nearing death, videogame genius Leone Stella holds a contest to find an heir: several people named like him will compete in a live-streamed reenactment of his most famous exploits, and the winner will inherit his billion-dollar fortune.

In his special, rising star Nick Kroll ("The League," “Date Night,” "Get Him to the Greek") blows the doors off the time-honored one-hour format by weaving in hilarious short films, as well as appearances by his infamous characters Fabrice Fabrice, Bobby Bottleservice, El Chupacabra and Oh, Hello (featuring John Mulaney, “COMEDY CENTRAL Presents” and “Saturday Night Live”). This seminal comedy event marks the arrival of an exciting new voice in stand-up and is definitely not to be missed.