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**An average film, without any kind of originality, but still enjoyable.** It's not usual to see a Mexican film being highlighted in Portugal, and even less being entirely dubbed into our language. However, I have just seen it on TV, on a Sunday morning, the regular time at which children's animated films are usually shown. And after researching a little about it, I was truly surprised by the number of films about roosters and eggs that Mexican animation cinema has already made. Overall, I liked what I saw. It's not an original film, we've already seen a lot of similar things, but it was a consistent, solid effort and denotes some ambition and also technical and artistic capacity, which is commendable for a country that makes a lot of cinema for regional consumption, but has some difficulty in export films to the Old Continent. It's not a movie that makes me laugh a lot, and I bet most kids will enjoy it, but without feeling excited about what they're seeing and quickly forgetting everything they've seen. The script revolves around Toto, a young chicken who has to save his family's farm, preventing it from being taken over by a malicious landowner. To do so, he needs to defeat a big fighting cock in a stakes fight. Of course, the other animals, chickens and talking eggs will try their best to help you tip the odds in your favour. Therefore, it is a retelling of the old story of David against Goliath, of the struggle of the oppressed and weak against the powerful. It's effective, has a good, uplifting moral message, and entertains the audience well. On a technical level, the film deserves attention for its impeccable graphics and visuals. The CGI used in the animations is not exactly state of the art, it is not pristine and ultra-realistic. None of that. However, it's elegant enough, pretty enough, doesn't make gross mistakes, and has very good color and stroke. The mood isn't perfect, but it seems okay, it's within what I expected to find. I cannot evaluate the original dialogues and jokes since I saw the dubbed version for my language and not the original, but I am satisfied with the dub done by the Portuguese, it is a job that seems to be well done.
A low-rent bounty hunter named Rod Rosse, The One Man Posse, gets entangled in a web of danger when he takes on a job from an ex-biker/ex-wrestler turned U.S. senator named "Deathface."
Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.
A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
Andrea Beaumont leaves her father to return to Gotham, rekindling an old romance with Bruce Wayne. At the same time, a mysterious figure begins to hunt down Gotham's criminals, wrongly implicating Batman in the murders. Now on the run from the law, Batman must find and stop the culprit, while also navigating his relationship with Andrea.
In this animated tale, a tiny village is destroyed by a surging glacier, which serves as the deadly domain for the evil Ice Lord, Nekron. The only survivor is a young warrior, Larn, who vows to avenge this act of destruction. The evil continues, however, as Nekron's palace of ice heads straight towards Fire Keep, the great fortress ruled by the good King Jarol. When Jarol's beautiful daughter, Teegra, is abducted by Nekron's sub-human ape-like creatures, Larn begins a daring search for her. What results is a tense battle between good and evil, surrounded by the mystical elements of the ancient past.
Leon S. Kennedy and Claire Redfield must battle a rogue warrior seeking revenge after unleashing the deadly G-Virus, whilst a mutated monster goes on a rampage.
The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).
Fritz, now married and with a son, is desperate to escape from the domestic hell he now finds himself in. Lighting up a joint, he begins to dream about his eight other lives, hoping to find one that will provide a pleasant distraction.
Afro Samurai avenged his father and found a life of peace. But the legendary master is forced back into the game by a beautiful and deadly woman from his past. The sparks of violence dropped along Afro’s bloody path now burn out of control – and nowhere are the flames of hatred more intense than in the eyes of Sio.
In the future, one can achieve immortality by obtaining a mechanized body. Orphaned, young Tetsuro hitches a ride on the space train Galaxy Express 999 in the hope of obtaining a cyborg body to avenge his mother's death. Along the way, he meets Maetel, who is the spitting image of his dead mother.
