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Laundry and Liquidation. Walk a Crooked Mile is directed by Gordon Douglas and adapted to screenplay by George Bruce from a Bertram Millhauser story. It stars Louis Hayward, Dennis O'Keefe, Louise Albritton, Carl Esmond, Onslow Stevens and Raymond Burr. Music is by Paul Sawtell and cinematography by George Robinson. A Scotland Yard detective and a FBI agent investigate what looks to be a spy ring infiltrating a top secret Nuclear Physics centre. To fully get the drift you really have to understand the era when films like this were produced, a time of The HUAC and Cold War paranoia, when Hollywood itself was under scrutiny to weed out supposed communist infiltrators. Good pro Gordon Douglas directs in a semi-documentary style - complete with Reed Hadley stentorian narration - in what turns out to be a decent spy like thriller. J. Edgar Hoover stuck his oar in to ensure no sanction of how the FBI looked was granted, which actually gives the pic some kudos, as does the superb Frisco location filming. It's nicely photographed in a noir style by Robinson, which lends one to lament he didn't operate more often in that style of film making. While perfs are absolutely fine, with Burr not for the first time in 1948 proving to be a great nasty presence. Narratively it's hit and miss, the fear of the communist is solidly played, but actually the fear of the scientists is probably more sneakily bubbling away under the surface. There's a brilliant sequence of events that ties into Nazidom, with a landlady holding court for maximum impact, and for dramatic purpose the torture sequence and inevitable shoot out hit the right requisite notes. Not a must see in the realm of Cold War/Spy Ring pictures, but entertaining and well mounted enough to keep it well above average. 6/10
Despite a decent effort from Louis Hayward as visiting Scotland Yard Inspector "Grayson", this is still a pretty clunky, charm-free, cold war espionage story that sees him team up with FBI counterpart "O'Hara" (Dennis O'Keefe) to investigate the smuggling of top secret formulae from a government facility to an enemy.... Their method of transferring the information is quite clever, but neither the script, nor the rather over-powering Reed Hadley narration really get this going. It has an almost documentary feel to it; the scenes are stitched together rather than fluid, and it comes across almost like a public information film about being beware of traitors in our midst (I found the culprit to be pretty obvious from the get-go), rather than to create any meaningful sense of suspense or drama. It has many of the usual set-piece cloak and dagger scenarios, and as ever with these type of stories - the baddies seem always unable to push home their obvious advantages! It's not dreadful, just procedural and rather dull.
The dream is unusually vivid: Bank employee Vince Grayson finds himself murdering a man in a sinister octagonal-shaped room lined with mirrors while a mysterious woman breaks into a safe. It is so vivid that Vince suspects it may have really happened. To get the dream off his mind, he goes on a picnic with some relatives. When a thunderstorm forces his party into a nearby mansion, Vince discovers that the bizarre room does exist, and it means nothing but trouble.
Cleve Marshall, an assistant district attorney, falls for Thelma Jordon, a mysterious woman with a troubled past. When Thelma becomes a suspect in her aunt's murder, Cleve tries to clear her name.
Clarinetist Stan has a nightmare about killing a man in a mirrored room. But when he wakes up and finds blood marks on himself and a key from the dream, he suspects that it may have truly happened.
A beautiful but unscrupulous female performer manipulates all the men in her life in order to achieve her aims.
A semi-fictionalized account of the life of Mata Hari, an exotic dancer who was accused of spying for Germany during World War I.
Two friends land in hot water when they begin dating twins and one of the women ends up dead.
Rosa, the self-serving wife of a small-town doctor, gets a better offer when a wealthy big-city man insists she get a divorce and marry him instead. Soon she demonstrates she is capable of rather deplorable acts - including murder.
Ex-cop Vic Barron crossed the wrong mobsters; his wife and child were killed and he was scarred, framed, and imprisoned. On release, Vic has but one desire, revenge on still-hiding Tino Morelli.