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***Moving portrait of an outcast, plus cutie Marisa Tomei*** Released in 1993, "Untamed Heart" tells the story of Caroline (Marisa Tomei) who works the night shift at a Minneapolis diner. She's a cute and likable young woman but, for some reason, is unable to maintain the romantic interest of the guys she dates. The answer to her love problems turns out to be right under her nose in the form of the diner's quiet dishwasher/janitor, Adam (Christian Slater). "Untamed Heart" is a must for fans of Marisa Tomei and the romance between Caroline and Adam works, although their sexual union is premature IMHO, but real-time has to be condensed into a 102-minute film so I guess it can be overlooked. What struck me most about this film, aside from Marisa, was the character of Adam. He's an outcast; he doesn't fit with the crowd; he's quiet and mysterious in a misfit type of way; he's an easy target for people to mock; he's content to adore Caroline from a distance; his love for her doesn't change as she keeps making mistakes trying to find someone to love; he secretly acts as her guardian angel and doesn't care about getting credit. Why is Caroline attracted to such a person? Because "opposites attract." We're naturally attracted to people that have what we lack and vice versa. Caroline is open, talkative and comfortable with practically any social setting; Adam isn't. Adam is aloof, meditative and unconcerned about fitting in — qualities Caroline lacks. You'll see people like Adam in real life if you open your eyes. At a local restaurant I sometimes catch a glimpse of one of the kitchen workers, whether taking a smoke break outside or whatever. He's in his mid-30s, maybe older, obviously intelligent with a striking appearance, but he's quiet and aloof from the people around him, with an air of mystery. This is a person, like Adam in the film, who doesn't fit into society's mold. College doesn't work for him despite his intelligence, nor does a conventional job; he just does what he has to in order to live. The film is very successful at bringing to life this type of outcast in Adam. I found it quite moving because I understand and can relate. Not everything in the story works, however, which is why I knock off a star in my rating. For instance, it isn't even remotely believable that Adam would be able to secretly break into someone’s house and do what he does while the people are sleeping. Dumb. What were the writers thinking? The film was shot on location in NE Minneapolis. GRADE: B
Faced with unfortunate complications beyond her control, go-getter events manager Andi Medina has no other person to turn to. She is then forced to reconnect with her ex-boyfriend, cosmetic surgeon Max Labarador. Much to Andi’s shock, Max is already in a three-year live-in relationship with pediatric oncologist Christian Pilar. With nowhere else to go and left with no other options, she agrees to live with the couple – both parties agreeing into a deal that will change the course of their lives and hearts.
David Aames has it all: wealth, good looks and gorgeous women on his arm. But just as he begins falling for the warmhearted Sofia, his face is horribly disfigured in a car accident. That's just the beginning of his troubles as the lines between illusion and reality, between life and death, are blurred.
John Arnold DeMarco is a man who believes he is Don Juan, the greatest lover in the world. Clad in a cape and mask, DeMarco undergoes psychiatric treatment with Dr. Jack Mickler to cure him of his apparent delusion. But the psychiatric sessions have an unexpected effect on the psychiatric staff and, most profoundly, Dr Mickler, who rekindles the romance in his complacent marriage.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.
A minister and his wife take in poor and troubled children that nobody else wants and soon they find themselves with a family of a dozen kids.
Griffin has been diagnosed with terminal cancer. Instead of quietly facing his death, he decides to have fun in the time remaining. At a college class on death, he meets Phoenix, who has terminal leukemia.
An independent sequel to the TV series. Here we follow the families Öhrn and Seger and take us through autumn and winter on our way to Christmas celebrations and to a New Year's Eve which inevitably means an end to the old and a beginning of something new… A film about love and death and everything in between.
Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.