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Noël Coward and Herbert Wilcox have combined here to create an engaging little musical romance with a couple of memorable songs and a gently bubbling screenplay. Told by way of a retrospective, Anna Neagle is "Sarah" who marries the penniless musician "Carl" (Fernand Gravey) and heads to Venice where they eke out a meagre living until he is offered a job conducting a small orchestra and she sings along. Her talents manage to attract the unwanted attentions of "Capt. Lutte" (Miles Mander) and very shortly afterwards, things take a tragic turn. It's got something of the silent movie about it - there are extended scenes with no dialogue, and both Neagle and Mander offer us a degree of gesturing that wouldn't have looked out of place ten years earlier. At times this does hold the pace back but we also have Ivy St. Helier's sultry "Manon la Crevette" who delivers "If Love Were All" and Neagle is quite robust singing "I'll See You Again". It was remade with more money and colour, but I'm not sure it needed either. This is quite an entertaining 90 minutes.
The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor named Franz Joseph, Yet unexpectedly Franz runs into Sissi while out fishing and they fall in love.
A musical romantic tragedy about a famous composer who moves back to his small hometown after having had heart troubles. His search for a simple everyday life leads him into teaching the local church choir, which is not easily accepted by the town yet the choir builds a great love for their teacher.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
Vienna, Austria, 1910. The young painter Egon Schiele is a rising artist, provocative and free, whose work, characterized by eroticism, shocks as much as it fascinates art lovers.
A comedy about three men who have reached the lowest rung on the social ladder. This story about lust for life and miracles that are possible only with the aid of extraordinary women unfolds at a place which reflects life, love and death like no other.
Young Stanzi who is visiting Vienna helps a young corporal and musician to become famous for his marching song "Die Deutschmeister".
After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port.
Vienna, 1906. A passionate love story develops between Franz Lobheiner and the young Christine. Lobheiner is, however, currently seeing the married Baroness von Eggersdorf. Upon learning of his wife's infidelity, the Baron von Eggersdorf provokes a duel with Lobheiner. But the former is no longer a real threat to the Baron. Lobheiner is now passionately in love with Christine. How will this love quartet end?
This film is a docufiction on the great Toscanini directed by well-known filmmaker Larry Weinstein; who pushes the boundaries of conventional documentary storytelling by borrowing tools from fiction films; including dramatic reconstructions and historical cinematic stylings.
With his eye on a lovely aristocrat, a gifted illusionist named Eisenheim uses his powers to win her away from her betrothed, a crown prince. But Eisenheim's scheme creates tumult within the monarchy and ignites the suspicion of a dogged inspector.
A pianist about to flee from a duel receives a letter from a woman he cannot remember. As she tells the story of her lifelong love for him, he is forced to reinterpret his own past.
