Entre lo Sagrado y lo Profano

Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

An exclusive look at the private world of aristocratic Newport, Rhode Island –– a world of privilege that began with the Gilded Age, when Vanderbilts and Astors reigned. The story is told through the focus of one of the last grand dames, Eileen Gillespie Slocum, descendant of Browns, who died on July 27, 2008 at the age of 92.

Jorge, Omar, Lalo and Moy love soccer, but being blind have kept them away from this sport until they meet and decide to make their own team and compete to be a part of the national team and play in the Rio 2016 Olympic Games.

The film springs from at least three ideas connected to each other in an irrational way: the story of a cow being taken to the butcher, the description of simple pleasures, how to ascend to the top of a hill and descend in a wheelbarrow, and the portraiture of a several blind people. The great, big eyes of the cows are seen in contrast to the unseeing eyes of the blind people.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

A documentary in which Marcel Hanoun examines, delimits, paces up and down and criss-crosses the town of Langres, offering the houses, walls and everything which makes up the identity of a place, an opportunity to express themselves through the time of seasons but through that of History.

Do You Dream in Color? in this documentary follows four courageous blind high school students. This coming-of-age story see's the students as they strive to prove that their disability will not hold them back from achieving their dreams.

A City Runs Through the Festival is an anatomy of the Festival through the eyes of its own audience.

Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.

With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world.