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Anthony Mann packs quite a lot into eighty minutes in this quickly paced and engagingly intricate film noir. "Joe" (Dennis O'Keefe) faces festering in jail for years after helping out his duplicitous pal "Coyle" (Raymond Burr) who now owes him $50k. An escape plan almost goes awry and reveals to "Joe" and feisty girlfriend "Pat" (Claire Trevor) that his friend is not exactly trustworthy. What now ensues drags in poor "Ann" (Marsha Hunt) as "Joe" tries to exact his revenge, get his cash, and escape to Mexico - all whilst being pursued by hitman "Fantail" (an adequate John Ireland). What's a little unique about this, is that the two women have stronger - and more independent - storylines. They both fall for "Joe", and are both aware that the other has an interest, but these are no shrinking violets and though of completely differing characters, there is plenty of attitude on display to complement the more traditional (and predictable) elements of the chase. Burr was never very good at menacing, and here is no different but he only features sparingly as we gradually discover whether or not "Joe" is really a brute. It's not too wordy, there is enough action and counter-plotting to keep it interesting and I'd say - if you like the genre - is at the better end of the spectrum and well worth a watch.
A small-time crime boss kills a drug dealer without realizing that the drug dealer works for the biggest crime boss in the country.
Slick lawyer Thomas Farrell has made a career of defending mobsters in trials. It's not until he meets a lovely showgirl at a mob party that he realizes that there's more to life than winning trials. Farrell tries to quit the racket, but mob boss Rico Angelo threatens to hurt the showgirl if Farrell leaves him.
A repressed artist receives ritual abuse from those who pass him as he paints portraits in the park. Gradually becoming more frustrated, anger builds up within the artist, leading him to embark upon a quest to gain revenge on all those who have humiliated him.
Pursued by the big-time gambler he robbed, John Muller assumes a new identity—with unfortunate results.
An aging hood is about to go back to prison. Hoping to escape his fate, he supplies information on stolen guns to the feds, while simultaneously supplying arms to his bank robbing chums.
Rick Mason is the no-good lowdown rat who tries to capitalize on postwar patriotism and grief. He finagles a war widow into giving up her savings for a nonexistent memorial. When Mason falls in love with the widow he has pangs of conscience, but he reckons without his con-artist boss, who tends to bolster his arguments with muscle and bullets.
Ex-wrestler and Tennessee Sheriff Buford Pusser walks tall and carries a big stick as he tussles with county-wide corruption and moonshining thugs.
Powerful, uncompromising drama about two boys' struggle for survival in the nightmare world of Britain's notorious Borstal Reformatory.
Los Angeles is paralysed with terror when a lovesick murderer takes to the streets with a pair of garden shears
In this drama, a seductive woman uses her wiles upon both a traveling bank examiner and a manager to whom she is married. This woman has expensive taste and ends up spending all of her husband's money. She then begins trying to seduce the bank examiner, who doesn't know she is married to the manager.
After surviving a murder attempt, an auto magnate goes into hiding so his wife can pay for the crime.
