Kenju giga

Two hopeful migrants must make the long, arduous journey across a desolate landscape toward the promise of a better life only to discover their destination may no longer be the place they believed it was.

Norman McLaren instructs Grant Munro on the movements he is to make. The film technique for Two Bagatelles is pixillation, where the actor is animated frame by frame, as in the film Neighbours/Voisins.

On a night out with the lads, one individual decides that there is more to socializing than mere face value.

Through a series of obscene animations, the work of iconoclast animator Teruhiko "King Terry" Yumura lampoons a range of cultural icons and taboos: California bodybuilding culture, onanism, hyperviolent cinema, marital bliss, and more. Soundtracked entirely by American funk/soul, each short matches the inherent depravity of its subject matter with an equally crude style, from fake commercials to slice-of-life stories and pornographic picaresques.

Naked, on the back of a sheep, soft office worker Willie rides trough the forest. His body is still in the office, but his mind wanders between dangerous flowers, li-los and an imaginary friendship for a soft sheep.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.

A small cabin. A beautiful view. Two souls live seemingly happy lives, their every need met by machines of their own making. But as the days drag on and their routines grow weary, one's souls freedom becomes anothers prison.

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.