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Bangers and Cash - (Feb 20th)
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Gangland Chronicles - (Oct 1st)
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Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
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Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
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American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
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Reacher - (Feb 20th)
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INVINCIBLE - (Feb 20th)
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Hollywood Squares - (Feb 20th)
Go then, and God mark you for the man you are. Chato's Land is directed by Michael Winner and written by Gerry Wilson. It stars Charles Bronson, Jack Palance, James Whitmore, Simon Oakland, Richard Baseheart, Ralph Waite and Richard Jordan. Shot on location in Andalucia, Spain, with photography by Robert Paynter, it's musically scored by Jerry Fielding. Plot finds Bronson as half Apache, Pardon Chato, who is forced to kill the local sheriff in self defence and finds himself being hunted by a town posse led by Captain Quicey Whitmore (Palance). However, as the posse trail him into the wilderness it becomes apparent that the tables have been turned, with Chato given further cause to inflict harm upon his pursuers. The first of six collaborations between Charles Bronson and Michael Winner, Chato's Land finds the pair setting the marker for what would define their work. With the Western genre going thru a resurgence, Chato's Land is very in-keeping with the type of Western that was being released in the early 70's: namely violent, uncompromising and certainly gritty. These things, as history now shows, were tailor made for Winner, who perfectly utilises Bronson's silent and brooding assets to great effect. Often suspected to be an allegory of the United States' involvement in Vietnam, it's thematically correct in that respect. But the timing of the film would suggest this to not be the case. Chato's Land is more than just a revenge Western; a film about white men out of their usual terrain being pursued by a man of a different ethnicity, it wants to, and does quite well, be a picture dealing in racism, violence and the folly of hypocritical justice. But even tho Wilson's script brings these issues to light, they are not fully formed, with Winner at times dragging the film to a stand-still. However, the group dynamic is a good one, with the inevitable character differences creating a tinderbox waiting to ignite, while Winner doesn't skimp over the violence, puncturing the narrative with savage thrusts. Bronson was 50 years old when making the film, his physicality here is very impressive. The role of Chato is hardly a stretch for him, in fact it's very much a perfect fit. He's basically asked to be a phantom in the landscape, but he casts an imposing presence each time he's called on to deliver some Chato justice. In pursuit are a mixed bunch of actors, with Palance, Whitmore and Baseheart the obvious professional standouts, while Simon Oakland leaves an indelible mark as grizzled father of the Hooker boys, Jubal. Fielding's (The Wild Bunch) score is efficient, but workmanlike, and Paynter's (Lawman) photography never really makes the landscape as imposing as it should be. Overall it's a mixed bag, but for fans of revenge type Westerns, and Palance, it's easy to recommend, but it still should have been more intelligent than it ultimately is. 7/10
At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners - who are freed by the blast - Miranda becomes a revolutionary hero against his will.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.
Brad Henderson arrives in Star City just in time to witness three men rob a bank of $30,000 and kill a teller. Charged for the crime and jailed, Brad realizes he must escape and track down the real killers since the only one who can prove his innocence is his friend, Sheriff Bill Gregory, who has been shot and will not soon regain consciousness. Chasing down the robbers one by one, he eventually discovers the identity of the gang's ringleader.
During the Civil War, Confederate soldiers escape from a Union prison and head for the Mexican border. Along the way, they kill a Union courier bearing the news that the war is over. Keeping the message a secret, the captain has his men go on and they soon find themselves in a battle with the Union search party who also is unaware of the war's end.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
A man searching for a stolen army payroll is joined by several men after the reward money. One of the pursuers, after killing a ranch foreman, elopes with the ranchers' daughter. Enraged at the shooting of his foreman and convinced that his daughter was kidnapped, the rancher leads a posse after his daughter. When Apaches attack the thieves and their pursuers, the rancher's posse is forced to side with his daughter's new husband and his friends.
While confronting the disapproving father of his girlfriend Lola, Native American man Willie Boy kills the man in self-defense, triggering a massive manhunt, led by Deputy Sheriff Christopher Cooper.
Respected black cavalry Sergeant Brax Rutledge stands court-martial for raping and killing a white woman and murdering her father, his superior officer.
Bandits lead by Matt the Mute enter a bar and kill multiple people. Randy Bowers comes to town and is framed by Matt the Mute, who is working with the sheriff (who doesn't know Matt is really a criminal). Randy escapes with the help of the niece of the dead owner of the bar. Bowers ends up running from the sheriff, and ends up in the cave in which the bandits have their hide-out…
Yukon Territory, Canada, November 1931. Albert Johnson, a trapper who lives alone in the mountains, buys a dog almost dead after a brutal dogfight, a good deed that will put him in trouble.