A Quiet Place Day One 2024 - Movies (Oct 2nd)
Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Daytime Revolution 2024 - Movies (Feb 21st)
A Quiet Place Day One 2024 - ()
Matthew Perry A Hollywood Tragedy 2025 - ()
Take That This Life – Live In Concert 2024 - ()
Den of Thieves 2 Pantera 2025 - ()
Cellphone 2024 - ()
Into the Deep 2025 - ()
Gladiator II 2024 - ()
Sisterhood Inc. 2025 - ()
Bottom Feeders 2024 - ()
Veselka The Rainbow on the Corner at the Center of the World 2024 - ()
Monster Mash 2024 - ()
Kraven the Hunter 2024 - ()
Azrael 2024 - ()
Swimming Home 2024 - ()
Sugar Mama 2025 - ()
Ghost Rite Here Rite Now 2024 - ()
The Bayou 2025 - ()
Old Guy 2024 - ()
Millers in Marriage 2024 - ()
Inheritance 2025 - ()
Gene Barry is "Donovan", a CIA agent sent to London to help uncover a cold war espionage ring. He is pretty much captured upon arrival, but luckily manages to quickly escape from his country house prison with the help of "Peter Langley" (Tom Adams) and together with the assistance of "Col. Redmayne" (Richard Todd) they embark on an investigation to find the spy! Most of this reminded me of an episode of "Bewitched" only it wasn't anyone's nose that was twitching. The production is cheap, the script woeful and the performances might legitimately be described as truly worthy of the occasional appearance from Joan Collins ("Anne") at her most glamorously sterile. The plot plods along with an inevitability to it that leaves no room for any suspense, and the fight scenes are so expertly choreographed as to be little more than gymnastics with tomato sauce. London in the late 1960s was a colourful, bustling city and the film at least manages to convey some of that vibrancy, but otherwise this is really just duff.