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American Scream 2025 - ()
Wolf Man 2025 - ()
Suky 2025 - ()
Heartbreakers Beach Party 2024 - ()
Séance Games - Metaxu 2024 - ()
Iliza Shlesinger A Different Animal 2025 - ()
Anora 2024 - ()
Moana 2 2024 - ()
Shark Exorcist 2 Unholy Waters 2024 - ()
Jacob Tyler 2024 - ()
Faultline 2024 - ()
Dirty Angels 2024 - ()
DIG XX 2024 - ()
Deathgrip 2 2024 - ()
Mickey 17 2025 - ()
The Reluctant Royal 2025 - ()
Lumina 2024 - ()
My Husband the Cyborg 2025 - ()
Flow 2024 - ()
In the Summers 2024 - ()
From the very first scene I knew this was going one of two ways: Diabolical or passably entertaining - nowhere in between or above the latter. For me, I somehow felt suitably entertained by 'Aladin'. It's not a great film, at all. However, it's in a similar vein to productions like 'The Cat in the Hat' so always divides opinion. If you can find enjoyment, you'll obviously like it but otherwise you'll hate it. I'm under the former. The cast help a lot. Riteish Deshmukh suits the role of Aladin, while Amitabh Bachchan and Sanjay Dutt are enjoyable as Genius and Jaffar. Despite the title/titular character, it's more so a film that refers to 'Aladdin' rather than a remake/reimagining of the famous folk tale. I liked how they set this up, sure it is dumb but it works in my opinion. I did start getting bored towards the end, so the run time is most definitely too long - 90 minutes, as opposed to 132, would've been ideal. I'd be rating this much lower if not for the likeable cast and the fact that it doesn't take itself seriously; until the end, I guess. I entirely get if you dislike this, but I didn't... quite the opposite to be honest.
A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.
Raja returns home from London, but is refused entry into the house by his widow grandmother due to some differences between his late father and his parents. Chhaya a house keeper helps Raja to win the goodwill of his grandmother and in the process of helping him, Raja falls in love with Chhaya.
When a cynical ex-TV news anchor gets an alarming call on his radio show, he sees a chance for a career comeback — but it may cost his conscience.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.
Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.
Suraj is the only son of widow, Parvati whose husband was killed. He falls in love with Reshma after saving her life from a snake bite.
The Tashkent Files is a thriller that revolves around the mysterious death of India's 2nd Prime Minister Shri Lal Bahadur Shastri and attempts to uncover if he had actually died a natural death, or, as alleged, was assassinated.