On Patrol- Live - (Feb 8th)
WWE SmackDown - (Feb 8th)
The Price Is Right - (Feb 8th)
Come Dine With Me- South Africa - (Feb 8th)
Four in a Bed - (Feb 8th)
Horrible Histories - (Feb 8th)
The Rachel Maddow Show - (Feb 8th)
The Way Home - (Feb 8th)
The Last Word with Lawrence ODonnell - (Feb 8th)
Shark Tank India - (Feb 8th)
Diners, Drive-Ins and Dives - (Feb 8th)
My Lottery Dream Home - (Feb 8th)
Lets Make a Deal - (Feb 8th)
Fire Country - (Feb 8th)
Jen and Chris - (Feb 8th)
Gold Rush - (Feb 8th)
The Beat with Ari Melber - (Feb 8th)
The ReidOut with Joy Reid - (Feb 8th)
S.W.A.T. - (Feb 8th)
Lopez vs Lopez - (Feb 8th)
To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.
July 27th, 1976 - a day the people of Tangshan will never forget. When that fateful day ended, tens of thousands had been killed, and the lives of the survivors would be changed forever. No public official, no expert, nor anyone among the seismological personnel - regardless of what they were doing that day - should ever forget. History will always remember the twilight of that day.
Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.
A Yangtze Landscape utilizes a non-narrative style, setting off from the Yangtze's marine port Shanghai, filming all the way to the Yangtze River's source, Qinghai/Tibet - filming a total distance of thousands of kilometers. Experimental music and noise recorded live on scene are used in post-production, painstakingly paired with relatively independent visuals, creating a magically realistic atmosphere contrasted with people seeming to be 'decorative figures' right out of traditional Chinese landscape scrolls.
Following the mother of martyrs Pro-Ukraine, Qingwen who missed her lost son Guo Zhenggao and accuse the brutal of the war that takes up so many life.
Yulin, once the poorest region of Northwest China, has rapidly become "China's Kuwait" for the mining industry launched in recent years. People rush into the coal mine and other coal-related businesses, hoping to get rich overnight. They are possessed by anxiety and restlessness. However, it seems they have no other choices…
China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.
Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.
A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”
Li Shouwang is the leader of a blind storytellers team, learned storytelling at the age of 19. His childernare living hard in other cities. Li's money amost goes to his children's pocket every year. But with urbanisation, the storytellers have lost almost all their audience. As the conflict between the storytelling team and the village team intensified, his son, who was far away from home, became the only spiritual sustains... When he was excited that his son would be taking his family home for Chinese New Year, what's await is a sigh.
This film is a realistic record of a sixty-year-old couple living in a remote village (Gurenay) in the Badain Jaran Desert of Alashan, Inner Mongolia plant thousands of mu of ammodendron and euphratica to fight against expanding deserts.