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Bad Country is filled with small pleasures. Like Willem Dafoe’s opening and closing narration (few sounds are as soothing as his gravelly baritone). Or Dafoe’s and Matt Dillon’s badass horseshoe mustaches. Or a cameo by the imposing Bill Duke. Or Tom Berenger’s over the top villain (a rosy-cheeked dandy with a Cajun accent, who walks with a cane he doesn't need, shoots clay pigeons, and lives in a prototypical southern mansion). These are some the hooks on which the filmmakers hang a fairly conventional plot; there’s the cop who doesn't always play by the book but gets results (thankfully we are spared the obligatory scene where his boss takes him off the case and asks him to relinquish his badge and gun), the criminal with the heart of gold who is a lesser evil compared to the real villains, the rookie federal agent who does always play by the book and becomes a thorn in the rogue cop's side, the flamboyant mob boss accompanied by a servile, crooked lawyer, etc., etc., etc. Bad Country hits all the notes we've come to expect from this type of thriller and, as it turns out, director Chris Brinker and screenwriter Jonathan Hirschbein know the words as well as the music. The superb casting also goes a long way toward refreshing the material; Dafoe and Dillon are such craftsmen that the film is worthwhile just to see what they do with their characters – or, conversely, to watch Berenger and Duke having a lot of fun with their clichés. As familiar as the script may be, this is a case in which familiarity does not breed contempt; furthermore, clocking in at 95 minutes, Bad Country does not overstay its welcome (the only thing that makes you go ‘huh’ is a random subplot – more ‘sub’ than ‘plot,’ though – involving Dafoe’s character’s father, who stumbles into the plot as if he just wandered in from a different movie, and then disappears as abruptly as he entered).
Passengers on a European train have been exposed to a deadly disease, and nobody will let them off the train.
New York City detective Daniel Ciello agrees to help the United States Department of Justice help eliminate corruption in the police department, as long as he will not have to turn in any close friends. In doing so, Ciello uncovers a conspiracy within the force to smuggle drugs to street informants.
When one of his patients is found murdered, psychiatrist Dr. Sam Rice is visited by the investigating officer but refuses to give up any information. He's then visited by the patient's mistress, Brooke Reynolds, whom he quickly falls for despite her being a likely murder suspect. As the police pressure on him intensifies, Rice decides to attempt solving the case on his own and soon discovers that someone is trying to kill him as well.
A British agent's son is kidnapped and held for a ransom of diamonds. The agent finds out that he can't even count on the people he thought were on his side to help him, so he decides to track down the kidnappers himself.
Nick and Frank Starkey were both policemen. A scandal forced Nick to leave the force, now a serial killer has driven the police to take him back. A web that includes Frank's wife, bribery, and corruption all are in the background as Nick tries to uncover the secret of where the killer will strike next, and finally must lay a trap without the police.
A switchman at a seaside railway witnesses a murder but does not report it after he finds a suitcase full of money at the scene of the crime.
Meursault is a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder.
In the near future where humanoid robots are common in society, the mob reprograms a female android to think and feel in order to use it as a contract killer. This has dangerous consequences as she develops a relationship with her creator while also slowly becoming a murderous psychopath.
In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
A grissled cop with tendencies towards excessive force teams up with an ambitious and righteous prosecutor to track down a dangerous crime boss whom they both want desperately to catch. But their quarry resorts to devious methods to stall their investigation and eventually turn them against each other. Now the stage is set for a dangerous triangle.