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"Focus" blends two different movies in roughly equal measure. One is a movie about con men, scam artists and hustlers, in the tradition of "The Sting," "Ocean's Eleven," "House of Games" and "Shade." The second movie is a romantic comedy between two people who are strongly attracted to one another, but who cannot and do not trust each other. The movie about con men is brilliant. The hustles and scams are clever and cleverly executed with excellent skill and tradecraft. Dramatically, the double-blinds and double- crosses are well executed. The players con their marks, one another and the audience with finesse and aplomb. The cinematography, choreography and editing are crisp. The reveals are plausible within the film's cosmos of reality. The romantic comedy is not bad. One can understand and believe the attraction between the two characters. Will Smith's character is hunky, clever, confident, successful and wealthy. Margot Robbie's character is gorgeous, sexy, vulnerable, clever and charming. But the major plot points in this boy finds girl, boy loses girl, boy wins girl back subplot seem contrived, while the intriguing aspect of their relationship (How can two con artists with a history of deceiving one another learn to trust one another?) isn't explored in a satisfactory manner. Instead we get a breakup for reasons that are never explained, a repeated gag involving a wallet, and a massive coincidence that leads the audience to believe one of them has a hidden agenda involving the other. The relationship between them works best when they are conning one another, but it needs resolution. Technically, the film is beautifully done. Cinematography, locations, wardrobe, make-up, editing, audio -- everything is polished. It's a movie that merits a second or third viewing, not only to see the cons played out, but also to appreciate some of the subtle foreshadowing.
> Kicked off well, kept the momentum, but the end was... It's a Will Smith's movie, anyway, I was going to watch it, but when the initial cast dropped out, followed by a couple more, simply intrigued me. Actually, I enjoyed the film, but did not like it because of the bad ending. It was a good twist, except the shooting thing. An example how a tiny part can decide the entire movie's fate. Well written crime-drama, with a touch of romance. After all the obstacles, the final cast were at their best. Heist movies always excite me because of the involvement of the tricks and thrills. Nicky, a con artist who recruits a small time thief, Jess to work with his gang. When the job and the romance advancing smoothly, an unexpected split happens. So the years passed, when they meet again, what comes is the crux of the remaining story. The first half let us know what kind of character the Nicky is. His overwhelmed dedication for his undertaking and his reliable team's the focus. Overall, it was the best portion of the movie, and the next half goes for the giant kill, but lacks enthusiasm. More like a revenge or jealousy type narration, but only until reaching the climax where it tries being a very clever and happen all the things at a brisk pace. The film was better than I thought, after learning it was criticised, mostly very badly. Would have been a bit better if the writing was cautious for the crucial parts. Importantly, like I said the end part. 'Yes' for the entertainment it provided and 'no' for one of the best products of the year, 6½/10
**Great twists. Great Fun. Great acting. Great movie!** As a sucker for heist/con films, I love this movie! Great cast, a fun plot, and just great escapism. After seeing hundreds upon hundreds of movies, I rarely am caught off guard by "surprising" twists, but this movie took turns I didn't expect, and absolutely loved it! Probably not as great as my rating would imply, but if you love a good con artist flick, you will enjoy Focus thoroughly.
a boy named Tommy through a series of interrogations must unravel the truth of who killed his beloved pet fish.
A look at the trial and the use of psychiatric evidence in the criminal proceedings of mass murderer 'The Hillside Strangler' Kenneth Bianchi.
When Tom loses his job at an advertising agency, he enlists a youthful con-man to help save his career.
Intent on marrying into money, two antagonists will stop at nothing to seduce a young heiress, renouncing their sweethearts just to get a greater chance at a lucrative love. But, what does the girl have to say about their risky business?
Sunil is home alone when the doorbell rings. The stranger at the door is the husband of Chhaya, a woman that Sunil is having an affair with. The man asks many uncomfortable questions about their affair, becoming more and more intrusive.
A young, single pastor needs a date for a church dinner, so he hires his neighbor next door, who works as a prostitute, to accompany him. As she becomes more entangled in his life, her demands become more outrageous. Now he must navigate a moral minefield as he uses the unholy alliance to advance his ministry career. And things get more complicated when he starts to fall in love with her. A comedy about people who desperately want to convert each other.
Bartender on parole gets re-involved with his previous girlfriend, only to discover he's part of her criminal scheme.
Mary Herries has a passion for art and fine furniture. Even though she is getting on in years, she enjoys being around these priceless articles. One day she meets a strange young painter named Elcott, who uses his painting skill to enter into her life. Little does she expect that his only interest in Mary is to covet everything she has.
Tennis player turned coach Tashi has taken her husband, Art, and transformed him into a world-famous Major champion. To jolt him out of his recent losing streak, she signs him up for a "Challenger" event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi's former boyfriend.
An acclaimed novelist struggles to write an analysis of love in one of three stories, each set in a different city, that detail the beginning, middle and end of a relationship.
When Matt Booth sets off to meet his fiance for a foreign wedding he couldn't have imagined the dangerous world he was about to step into. Betrayed and set up, Matt finds himself on the run from the CIA and hired mercenaries, all looking for a package that he has supposedly smuggled through customs. Hunted on all sides, Matt is aided by Agent Adriana Vasquez, a femme fatale with orders of her own to follow.