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This South African film is a spaghetti western without the spaghetti. So sticking to the national food theme, perhaps ‘**Boerewors western**’ is a better term? This is the sequel to ‘**Three Bullets For a Long Gun**’ which was pretty much exploited every spaghetti western cliché and stereotype. ‘**They Call Me Lucky**’ is a better film all round, it’s a lot darker and more cynical than the first film and well worth checking out if you’re a fan of the spaghetti western genre or simply a rare cult film fan.
Whenever it becomes known how good he is with guns, ex-gunman George and his wife Dora have to flee the town, in fear of all the gunmen who might want to challenge him. Unfortunately he again spills his secret when he's drunk. All citizens swear to keep his secret and support him to give up his guns forever - but a boy tells the story to a gang of wanted criminals. Their leader threatens to burn down the whole town, if he doesn't duel him.
A domineering but charismatic rancher wages a war of intimidation on his brother's new wife and her teen son, until long-hidden secrets come to light.
A cowboy goes to help out his friend, who has been falsely accused of murder. The two find themselves in the rugged and mysterious Pallidi Mountains, where they come up against an outlaw gang that is searching for a buried Inca treasure, which is guarded by a lot Inca tribe.
After a robbery gone wrong, three criminals turn against each other and embark on a blood-soaked bullet-riddled quest for cash and revenge. An unusual contemporary black-comedy western set in Australia, chock full of action and homage to the work of Sergio Leone.
A wagon load of convicts on their way to prison is being escorted through the mountains by a cavalry troop. They are attacked by a bandit gang, and only a sergeant, his beautiful young daughter and an assortment of seven sadistic, murderous prisoners survive, and they are left without horses or a wagon. The sergeant must find a way to get his prisoners to their destination while protecting his daughter, watching out for the still pursuing bandits and trying to determine which one of the prisoners was the man who raped and murdered his wife.
A Chinese immigrant, recently arrived in America, fights to free Mexican slaves from their cruel master.
Kirk Allenby is hired by the Cattleman's Association to track down and arrest a rancher who they believe is stealing cattle. Allenby finds his quarry but is astounded to discover that that man, Bob Enright, looks enough like him to be his twin. He is forced to shoot Enright, but as the man lay dying he gets Allenby to promise that he will help Enright's sister, who is being forced to marry the real boss of the cattle rustling operation, who has framed Enright in order to take over his ranch.
Aging sidekick Lefty Brown has ridden with Eddie Johnson his entire life. But when a rustler kills Eddie, Lefty is forced from his partner’s shadow and must confront the ugly realities of frontier justice.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners - who are freed by the blast - Miranda becomes a revolutionary hero against his will.