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Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993. Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.
Documentarian Jose Sanchez-Montes turns his attention towards the late Cuban musician Ignacio Villa, known throughout the world as Bola de Nieve (Snowball), with this 2003 biographical documentary entitled simply Bola de Nieve. A master pianist, Bola de Nieve was a mainstay through the middle portion of the 20th century, with his music almost omnipresent in South America cinema throughout those formative decades. With Bola de Nieve's famous statement "I'm a sad person, but my songs sound happy" in mind, Sanchez-Montes also looks at the influence of the musician's African heritage and homosexuality upon Bola de Nieve's unique musical style.
A pair of beautiful eyes, shot in high-definition cinemascope, gazing out at the listener and reacting emotionally to the music...for the entire 75 minutes of the album.
The history of American popular music runs parallel with the history of a Russian Jewish immigrant family, with each male descendant possessing different musical abilities.
I Heard a Voice is the first live DVD from AFI that was released on December 12, 2006. The concert was filmed at the Long Beach Arena in Long Beach, California on Friday, September 15, 2006. Part of the Decemberunderground Tour, the crowd was the largest AFI had ever headlined with over 13,000 people in attendance. The title of this DVD is lifted from a line of poetry in the decemberunderground CD booklet. Underneath the song 37mm, it says: "The power went out. I turned on the radio. The power went out. I turned on the radio. The power went out. I turned on the radio....I heard a voice." The moth on the case is also from the decemberunderground booklet.
Winwood and Clapton crossed musical paths in 1969 with the formation of Blind Faith, a group that pioneered the fusion of rock and blues into tremendous studio and stage success. Despite critical and popular acclaim, the band was short-lived with only one album and a brief 1969 tour that debuted July 12 at Madison Square Garden and ended August 24 in Hawaii. Since then, Winwood and Clapton have remained friends but have only performed together a few times over the years for an occasional song at a charity event. The 2008 Madison Square Garden shows were the first full Winwood-Clapton concerts in almost 40 years.
A portrait of a hard rocking band known for their substance-fueled live performances on their evolutionary journey to become one of the greatest cult rock bands of our time.
"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.
1. Got Me Under Pressure 2. Waitin' For The Bus 3. Jesus Just Left Chicago 4. I'm Bad, I'm Nationwide 5. Pin Cushion 6. Cheap Sunglasses 7. Pearl Necklace 8. Heard It On The X 9. Just Got Paid 10. Rough Boy 11. Blue Jean Blues 12. Gimme All Your Lovin' 13. Sharp Dressed Man 14. Legs 15. Tube Snake Boogie 16. La Grange 17. Tush That Little Ol’ Band from Texas comes up big in ZZ Top: Live from Texas, a concert recorded on November 1st, 2007 at the Nokia Theatre in Grand Prairie, Texas. The hirsute trio (guitarist Billy Gibbons, bass player Dusty Hill, drummer Frank Beard) has been at it for nearly four decades now.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.