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Only around 30 reviews on competition sites for a movie that has been out on Netflix for 8 straight years...yeah, people don't want to admit that they watched this. And I can see why, for starters this is part of the infamous WiP films that had their heyday with Pam Grier in the 1970s...but it doesn't star Pam Grier so you don't really have that..."No but honey, Pam Grier is in it," excuse to be watching it. And then the title "Jailbait" well its not going to have many reviews with a title like that...but I guarantee you that it's going to have a lot of views on the Netflix. So anyway, the plot of this movie is to see Sara Malakul Lane naked. The entire point of making this film is to show the viewers full frontal views of Sara Malakul Lane. And the entire reason that people sit down and watch this movie is to see Sara Malakul Lane naked. So...mission accomplished and in spades. The dialogue? Who cares. The story? Who cares The production values? Who cares The score? Who cares? The acting? Again, who cares. None of that has anything to do with the movie. That wasn't the goal the creators had in mind when making this film. And, let's be honest, none of that is the reason why you are going to sit down and watch it.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
Suki is a young woman confronting her destructive mental illness using "The Siamese Burn," an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being "cured," she's haunted by a thought... what if the last unwanted identity turns out to be her?
A crusading psychiatrist battles a sadistic female warden to improve conditions at a women's prison.
In the autumn of 1945, Petty Officer Tadashi Yamaji is among the numerous war crimes suspects facing death on the gallows for maltreatment of Allied women and children interned in camp Kampili. Kampili is located some ten kilometers outside Macassar on the island of Celebes. Eighteen-hundred Allied women and children were interned for the duration of the war. Yamaji's iron rule for camp administration is : No violence; hands off internees; He also endeavors to establish self-administration by internees while aiming at a self-supporting camp economy within six months. His ingenuity gains the camp numerous pigs to enrich their diet, and sewing machines with to make fatigue uniforms for the military. The internees are grateful for what little aid he can give them. As the tides of war changes, Allied planes bomb the camp in error. But the surrender of Japan changes everything, and the internees join forces to save their former camp commander from the gallows.
After a fateful miss, an assassin battles his employers, and himself, on an international manhunt he insists isn't personal.
A New York press agent must scramble when his major client becomes embroiled in a huge scandal.
Doormat Wesley Gibson is an office worker whose life is going nowhere. He meets an attractive woman named Fox and discovers that his recently murdered father - whom Wesley never knew - belonged to the Fraternity, a secret society of assassins which takes its orders from Fate itself. Fox and Sloan, the Fraternity's leader, teach Wesley, through intense training, to tap into dormant powers and hone his innate killing skills. Though he enjoys his newfound abilities, he begins to suspect that there is more to the Fraternity than meets the eye.
Libby Parsons, wrongly convicted for her husband Nick's murder, thinks he is still alive and wants to settle the score and find their son. As she has been tried for the crime, she cannot be re-prosecuted if she finds and kills Nick.
Abortionist Vera Drake finds her beliefs and practices clash with the mores of 1950s Britain – a conflict that leads to tragedy for her family.