A Estrada 47

Mato Grosso do Sul, Brazil, the present. When a young Guarani-Kaiowá woman commits suicide, Nádio leads his community to form a protest camp on the borders of a local farm that sits on their ancestral burial ground.

While in a very dangerous psych trip, a former police officer Hector lives his past in the present while he tries to get free from his anguish and find out his mistakes in order to be forgiven of his sins.

Huang , a Chinese retired general, lives alone in the city center. Traditional and conservative, he hardly leaves the house. One day, Huang receives an unusual visit from his grandson.

A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.

After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.

In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.

In a place taken by poverty, Aparecida lives full of dreams and hope. While her husband leads a bitter life caused by a tragedy from the past, she decides to take an attitude that can change everything: to leave for the big city.

Rio de Janeiro, April 18, 1945. Brazil's foreign policy aligns closely with that of the United States and opens a brief period of democratic rule after the end of World War 2. For years, hundreds of people were arrested and tortured by the Vargas regime. But with the external pressure, several political prisoners gain freedom.

Paulo (Ricardo Duque), a film editor, arrives at home and find his wife murdered. While the police investigates the crime, Paulo begin his own quest to find the criminal.

Everyday family life as perfectly normal madness. “As Melhores Coisas do Mundo“ follows a few days in the life of the 15-year-old Mano, who is fighting on two fronts: his parents have just got divorced and he is going through puberty. Mano tries to make his way through life, with its first sexual experiences, his depressed brother and his self-centered parents. It’s a humorous homage to the pitfalls of daily life and the diversity of life.

Sandro was a boy who loved to sing rap, to kiss, to stare the statue of Christ the Redeemer and dreamed to go visit Copacabana. Growing up on streets, the story culminates at the infamous episode of 12th June 2000, when Sandro hijacked bus 174.