Roberto Benigni: Tuttobenigni

A KISS FOR GABRIELA tells the story of a remarkable woman named Gabriela Leite. An activist for sex workers’ rights for over 30 years, Gabriela was the first sex worker to run for Brazilian Congress. The documentary presents an intimate portrait of her 2010 campaign when she faced 822 opponents and challenged a male dominated political system. Combining an observational style with unrestricted access, it explores what it means to be a prostitute, to be a wife, and most importantly, what it means for a woman representing one of the most stigmatized populations in the world to run for office. Gabriela’s charisma and amazing history of activism engages audiences and encourages them to reflect critically on laws and policies that restrict the rights and possibilities of women like Gabriela globally. For women like Gabriela who make history and challenge stereotypes with their campaigns, it is not whether they win or lose, or even how they play. It’s that they’re in the game at all.

Two clueless homegirls move to L.A. to become dancers, but instead find themselves scamming a dying millionaire to eventually become B*A*P*S (Black American Princesses).

We follow the build-up and training of two opposite Belgian political parties. We see their leaders during meetings, during voting and after when the results of the elections are published.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

Two politically-opposed young women fight to shape their lives along with the political future of Tunisia, the sole country to emerge from the Arab Spring uprisings as a functional democracy.

Wars of the future will be fought over water as they are over oil today, as the source of human survival enters the global marketplace and political arena. Corporate giants, private investors, and corrupt governments vie for control of our dwindling supply, prompting protests, lawsuits, and revolutions from citizens fighting for the right to survive.

Boogie Man is a comprehensive look at political strategist, racist, and former Republican National Convention Committee chairman, Lee Atwater, who reinvigorated the Republican Party’s Southern Strategy to increase political support among white voters in the South by appealing to racism against African Americans. He mentored Karl Rove and George W. Bush and played a key role in the elections of Reagan and George H.W. Bush.

After Coal profiles inspiring individuals who are building a new future in the coalfields of eastern Kentucky and South Wales. Meet ex-miners using theater to rebuild community infrastructure, women transforming a former coal board office into an education hub, and young people striving to stay in their home communities. The stories of coalfield residents who must abandon traditional livelihoods illustrate the front lines of the transition away from fossil fuels.

What if you witness a revolution but things get worse? What if your homeland is in ruins with no signs of reconstruction? How do you cope? You can either get angry, sick, and depressed or just escape into memories of a golden but lost past. Four people, two revolutions, and the story of a destroyed Egyptian city.

While a recently elected mayor prepares for her town’s annual parade, terrifying events begin to transpire.

Each night the only border crossing between India and Pakistan on a 1000km stretch becomes the sight of an extraordinary event. Thousands of people gather to witness the ritual closing of the border, after which the masses get as close as possible to the gate to greet their former neighbors. This "festival" is therefore on the one hand a celebration of the partition, but on the other hand also the only connecting element. What do the terms separation, home and proximity mean to the people on both sides?