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WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
The Young and the Restless - (Jan 18th)
Listen to the Earth - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
Gold Rush - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
Bargain-Loving Brits in the Sun - (Jan 17th)
Cruising with Susan Calman - (Jan 17th)
The Traitors- Uncloaked - (Jan 17th)
Travel Man- 48 Hours in... - (Jan 17th)
The Bold and the Beautiful - (Jan 17th)
The Traitors - (Jan 17th)
Why would a man frame himself... for murder? Beyond a Reasonable Doubt is directed by Peter Hyams and Hyams adapts the screenplay from Douglas Morrow's story/screenplay for the 1956 film of the same name. It stars Jesse Metcalfe, Amber Tamblyn, Michael Douglas, Joel David Moore and Orlando Jones. Music is by David Shire and Hyams also tackles cinematography duties. C.J. Nicholas (Metcalfe) is a journalist aiming for high things. He is convinced that high profile lawyer Mark Hunter (Douglas) is corrupting legal issues and sets about proving it... The 1956 film was the great Fritz Lang's last American film, more court drama than being overtly film noir, it was a film well tuned into legalities of its time. Hyams here updates to a modern era setting and it is fanciful - due to the advancements in technology - in the extreme. Of course those things can often be forgivable if the film is well put together and holds some thriller/drama weight. The look of the film is cheap, as in a TV movie look, with the cinematography uninspiring, the young cast members hardly turn in characterisations to care for, while Douglas (who is very good) is surprisingly under used. The story is a fascinating one as per human foibles, and there's a double whammy stroll down twister street that lifts the film to a rewarding closure. But it's still a disappointment, and this even if you haven't seen Lang's far superior 56 film. 6/10
The only thing that’s beyond a reasonable doubt here is this movie’s stupidity. The film opens with District Attorney Mark Hunter (Michael Douglas) addressing the jury at a murder trial: “The defense would like to tell you that our entire case is circumstantial. There are no eyewitnesses, no ballistic match, no alibi." Odd. One would think that a prosecutor who has scored 17 murder convictions in a row would view the absence of an alibi as something that favors the prosecution and not the defense. Reporter C.J. Nicholas (Jesse Metcalfe) is convinced that Hunter is corrupt; all 17 convictions were decided by DNA evidence that Nicholas is certain was planted in some way by Hunter. For example, a cigarette butt photographed at a crime scene belongs to a cigarette the defendant is shown smoking in an interrogation video; Nicholas's boss asks him rhetorically, "How could someone plant the cigarette at the crime scene when the interrogation took place three days after the crime scene photographs were taken?" Undaunted, Nicholas concocts a harebrained scheme to frame himself for the murder of a prostitute using circumstantial evidence (we know it’s harebrained because is a Life of David Gale ripoff). This includes buying a balaclava (and macing it while he’s wearing it. D’oh!) and a pair of sneakers from an "extremely rare" brand that "they stopped making in 1999." These shoes leave a footprint that matches in “size and weight” one found at the crime scene. I'd say this is a hint that (spoiler) Nicholas is the killer after all (otherwise the "size and weight" thing would be a huge coincidence), but that would be giving Hyams too much credit — especially considering that Nicholas forces a poor Jack Russell to bite him in the calf of his left leg, to recreate the bite received by the murderer courtesy of a witness's dog; however, since he really is the killer, this means he already has a bite mark. The second bite occurs off-camera, which leads me to assume either Nicholas managed to get the second dog to bite him in exactly the same place as the first, or that Corey (Joel David Moore), his friend and accomplice (in everything but the murder), who is also supposedly a journalist, is unable to tell the difference between a fresh dog bite and an old one. And let's not even talk about the sneakers of which Nicholas actually owns two pairs (so much for «extremely rare»). The icing on the bullshit cake is that Nicholas's plan depends entirely on Hunter actually being corrupt and willing to plant evidence, even though it's been well established that this is nothing more than a hunch on Nicholas's part, all his evidence of it nothing but pure speculation.
An American soldier who had been killed during the Vietnam War is revived 25 years later by the military as a semi-android, UniSols, a high-tech soldier of the future. After the failure of the initiative to erase all the soldier's memories, he begins to experience flashbacks that are forcing him to recall his past.
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch the potential donor is convicted multiple murderer Peter McCabe who sees a trip to the hospital as the perfect opportunity to get what he wants most: freedom. With McCabe's escape, the entire hospital becomes a battleground and Connor must pursue and, ironically, protect the deadly fugitive who is his son's only hope for survival.
The true and infamous story of Australia's notorious criminal Mark 'Chopper' Read and his years of crime, interest in violence, drugs and prostitutes.
A sheriff's deputy fights an alternate universe version of himself who grows stronger with each alternate self he kills.
When a promised job for Texan Michael fails to materialize in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money, and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.
A graduate student and obsessive runner in New York is drawn into a mysterious plot involving his brother, a member of the secretive Division.
After the elevators at a New York City skyscraper begin inexplicably malfunctioning, putting its passengers at risk, mechanic Mark Newman and reporter Jennifer Evans begin separate investigations. Newman gets resistance from superiors at his company, which manufactured the elevator, while additional elevator incidents cause several gruesome deaths. The police get involved and suspect that terrorists are responsible, but a far stranger explanation looms.
A journalist is framed for the murder of a rival and has to prove his innocence, whatever the cost.
Edy, an insurer with questionable morals, knows his business inside and out, so much so that he is not stingy with all kinds of schemes to help some of his privileged clients collect their spouse's life insurance. However, Edy is tired of this life, which does not really bring him satisfaction anymore. So he decides to end his life. As he tries to do so, he finds himself involved in a dark story.
Pinhead is set loose on the sinful streets of New York City to create chaos with a fresh cadre of Cenobitic kin.
François, an ordinary Joe, falls hard for the sublimely beautiful woman who has just picked him up on the train and invited him to spend the weekend with her on the Riviera. But when the lady disappears the next morning and the police drag him in for questioning, François discovers he's been set up to pass for her notorious outlaw husband on the run, Anthony Zimmer. Even though he's been lied to and manipulated, François' life is changed forever and he's ready to give anything - maybe even his life - to hold this mysterious beauty in his arms again.