Sebastian 2024 - Movies (Oct 2nd)
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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
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NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
I would have let you die! Showdown is directed by R.G. Springsteen and written by Bronson Howitzer. It stars Audie Murphy, Kathleen Crowley, Charles Drake, Harold J. Stone, Skip Homeier, L. Q. Jones and Strother Martin. Music is by Hans J. Salter and cinematography by Ellis W. Carter. Plot has Murphy as Chris Foster who has to get 12,000 dollars in stolen bonds from the ex-girlfriend of his partner, Bert Pickett (Drake), or the gang holding him hostage will kill him. Filmed in black and white, something which didn't sit well with Murphy, this turns out to be a well photographed (the sumptuous back drop of the Alabama Hills, Lone Pine) low budget Oater of interesting ideas. The outdoor prison used here - criminals chained by neck collars to a pole in the center of town - is refreshingly original and a superb plot device that thrusts good guys (Chris and Bert) and bad guys together as a unit, for a while at least that is... Trouble is, is that this is only a small section of the story which occurs at the pic's beginning. We get some exciting action and character laying foundations for the inevitable break out, and then it moves away from the jail scenario. The premise is so good one kind of hankers for much longer of this story angle, maybe even for the story to have been different and made this the bulk of the movie as a character piece - with the break out and subsequent held to ransom aspect in the last third. But I digress whilst forgetting this is a 1960s low budget job. Narrative contains themes of addiction, tortured love and blind loyalty, which is credit to the writing of the wonderfully named Bronson Howitzer (really Ric Hardman!). However, the romantic thread bogs things down since it comes off as nonsense, with Crowley - as lovely as she looks - utterly unbelievable in the Western setting. Worse still is the head villain played by Stone, who not only makes preposterous decisions, he's also just not very villainous into the bargain. Still, Murphy is on good enough form and he's backed up by some notable genre performers. A mixture of the usual good and bad for a Murphy 1960s Oater, but enough here to make it a comfortable recommendation to fans of star and genre. 6.5/10
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.
An ex-con seeks revenge on the man who put him in prison by planning a robbery of the latter's stagecoach, which is transporting gold. He enlists the help of a partner, who could be working for his nemesis.
Embezzler, shill, all around confidence man S. Quentin Quale is heading west to find his fortune; he meets the crafty but simple brothers Joseph and Rusty Panello in a train station, where they steal all his money. They're heading west, too, because they've heard you can just pick the gold off the ground. Once there, they befriend an old miner named Dan Wilson whose property, Dead Man's Gulch, has no gold. They loan him their last ten dollars so he can go start life anew, and for collateral, he gives them the deed to the Gulch. Unbeknownst to Wilson, the son of his longtime rival, Terry Turner (who's also in love with his daughter, Eva), has contacted the railroad to arrange for them to build through the land, making the old man rich and hopefully resolving the feud. But the evil Red Baxter, owner of a saloon, tricks the boys out of the deed, and it's up to them - as well as Quale, who naturally finds his way out west anyway - to save the day.
Back from the US to his village in Niger, a man brings western outfits to his close friends, who immediately identify with cow-boys. A bloody western begins in the savannah...
A girl goes on vacation to the mountains where she finds a wild horse named Hacksaw. With a little help, she captures the stud and it doesn't take long until the man who helped her starts wagon racing, since Hacksaw refuses to have any man or woman on his back.
The Dalton gang escape to a nearby town after a train robbery goes south, but they are met by a coven of witches with sinister plans for the unsuspecting outlaws.
Meet Moe (Larry the Cucumber), a good-natured cowboy living high on the hog out in Dodgeball City while his kinfolk work their fingers to the bone digging the Grand Canyon. When Moe asks the heartless mayor to let his people go, he refuses and a heap of trouble comes to town. Can Moe help free his people from bondage and flee Dodgeball City once and fer all? Saddle up fro a rootin' tootin' Bible adventure as VeggieTales® heads west and teaches a lesson in followin' directions! Yee-Haw!
Join Little Joe and his rootin' tootin' French pea brothers on an adventure that will take them from an abandoned mineshaft all the way to Dodge Ball City-with Little Joe's faith being tested every step of the way! It's a Wild West yarn that teaches us to keep the faith when facing hardship because, in the end, god can work all things out for good. Yee-haw!
In the late 19th century, a gruesome power consumes the land and destroys a holy man's life. The preacher has to find his purpose in life to combat the walking dead.