Мисс Менд

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Believed to be the first film to feature cannibals.

During the course of his flirtation a driver's cab is used by a notorious robber who deposits his evil gains underneath the seat of the cab. The girl proves to be a detective in search of this man and mistakes the cab driver for the criminal. The horse, however, saves his master and brings the real guilty man into the courtroom just in time

Dress shop owner Madame Maxine employs two chimps to serve in her establishment. It goes about as well as you would expect!

An ordinary day - so an eventful one - of Tom Katt, a young man who works as a drugstore owner's assistant: his - very acrobatic - bike ride to his place of work; the - fanciful - way he performs his job; the - ingenious - subterfuge he finds to help his employer, who has money problems; the - swift - way he escapes the cops chasing him...

Out of the three-part burlesque, the only surviving one is the one called Pufi would buy a pair of shoes, with Hungarian inserts. The film is shot on a real-life location, in a Budapest shoe shop, and it portrays the mutual efforts of a puny sales assistant and Pufi, the bladder-of-lard customer, to find him a suitable pair of shoes. The content of the other two parts is not known.

Karl Valentin and Liesl Karlstadt at the Oktoberfest.

German silent-adventure movie.

Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.

Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.