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The disturbing and mind-bending ‘Creep’ certainly startles with its sense of sophisticated salaciousness, so why should it not meet the expectations of its haunting and hallucinatory hedonism? After all ‘Creep’ was from the handlers that gave fright fans unnerving and twitchy thrills in fear-monger flicks such as ‘Paranormal Activity’ and ‘The Purge’. Granted that the found footage genre has become rather obligatory but there are moments when one can declare a sense of distinction and devilish freshness where frightfests in the realm of ‘Creep’ can compel with warped and contemptible glee. When a flinching film can muster up an erratic combination of chaos and comedy and still manage to stay on course in its horrific havoc then vehicles such as ‘Creep’ can claim bragging rights in the slight re-invention of the aforementioned and omnipresent found footage theme. Part of ‘Creep’s unctuous appeal is steeped in the wicked and wayward imaginations of collaborators in director/co-writer Patrick ‘The Overnight’ Brice (making his directorial feature debut here), co-writer/co-star Mark Duplass and producer Jason Blum (‘Paranormal Activity’, ‘Insidious’, ‘Sinister’). These morbid masterminds effectively instill the aptly-named ‘Creep’ with bountiful black humour in this glorified goose-bump fable that proudly struts its low-budgeted, atmospheric indie chops armed with outrageous dares and scares. Unemployed videographer Aaron (Patrick Brice) unknowingly fishes out the on-coming scrutiny when he answers a Craigslist ad requesting the secretive side of film-making. Thus, Aaron travels to an isolated cabin in the middle of the desolate mountains to meet up with Josef (Mark Duplass, from TV’s ‘The League’). The sickly Josef, proclaiming his supposedly cancer-stricken condition, wants to be filmed on video as he prepares a diary for his unborn son. Well, the gesture seems heartfelt enough under the surface and something that Aaron should handle with kid gloves, right? Aaron’s assignment at first appears innocuous as he gathers the insights and intimate moments that Josef provides for the sake of his future offspring. In fact, the two men even become somewhat close and bond together as they wander in the mountains mixing business with a bit of pleasure tossed in for good measure. Soon, Josef steadily starts to show his true colors as his interviews become intense and erratic. The darkness of Josef’s moods shift ominously back and forth. Hence, Aaron understandably becomes quite weary of his videotaped creepy companion’s behavior. It certainly does not help that Aaron unravels some sordid secrets regarding Josef’s unsettling backstory. Just where does Josef’s degree of delusions figure in as far as Aaron’s perspective is concerned? The shocking moments in ‘Creep’ serves its purpose effectively, especially when the cat-and-mouse titillation and tension is enveloped in a low-budget, knee-jerking production that thankfully is refreshingly taut as it is naughtily off-kilter in its serving of several jittery jump scares and, of course, the edginess of the two men, one armed with suspicion and paranoia and the other one bottled up in a hefty grip of psychosis. The constant antagonism that the creepy Josef demonstrates towards Aaron is a traumatising tease that eerily registers with numbing realization. Fittingly, the found footage fear factor angle does not overtake or drown out the psychological give-and-take anxiety between the defensive Aaron and demented Josef. If anything, ‘Creep’ manages to not exhaust the found footage foundation as a gory gimmick that many of these kinds of fright flicks fall victim much too often. Instead, the movie is shrewdly aware to take a smirking poke at the impish concept through shaky satirical means. The real trepidation lies in the sometimes quiet yet manic motives of Josef, a live wire that can explode at any minute yet leaves one wondering as to when and where his menacing madness will filter out as it is directed toward his nearby guinea pig in the vulnerable Aaron. Both Brice and Duplass are convincingly engrossing as contributing co-writers and co-stars of an edge-of-your-seat chiller that does not necessarily need to overwhelm the audience’s nervous system with grotesque tactics of torture to bring along the bloody chase of a detached thrill. Creep (2015) The Orchard 1 hr. 20 mins. Starring: Mark Duplass and Patrick Brice Directed by: Patrick Brice MPAA Rating: R Genre: Horror and Suspense Critic’s Rating: *** stars (out of 4 stars)
I'm pretty far from on board with Found Footage Horror, and _Creep_ hits a lot of the reasons why. It also seems like there was no reason it had to be Found Footage in the first place. But that all said, Mark Duplass' performance is enough to elevate the piece somewhat, and kudos to director Patrick Brice for trying something new with the format. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Not to be confused with the 2004 British slasher set in Charing Cross Underground Station, 'Creep' is an American Handheld horror movie about a film-maker who answers an advert to film a dying man to leave something for his unborn child. The screenplay and performances are not very good but the film's over reliance on annoying jump scares make some scenes fill with tension. The film tries to bring up connections with 'The Blair Witch Project' but fails to be anywhere near as good due to the fact that it is poorly executed and has unsympathetic characters. It has a silly ending to top it all off but it leaves quite a resonating impact. ★★
The chilling and relentless Jigsaw killer returns to terrorize the city once again. When a gruesome murder victim emerges with unmistakable traces of Jigsaw's sinister methods, Detective Eric Matthews is thrust into a high-stakes investigation. To his surprise, apprehending Jigsaw seems almost too easy, but what he doesn't realize is that being caught is merely another piece of Jigsaw's intricate puzzle.
In a dystopian future, the Vatican knows how to resurrect people. A priest discovers a conspiracy behind the resurrections and their possible link to a series of murders.
A mentally unhinged factory worker must decide whether to listen to his talking cat and become a killer, or follow his dog's advice to keep striving for normalcy.
Lima, Peru. An investigation into the mysterious disappearance of a young man in the supposedly haunted Matusita House reveals its darkest secrets to those who dare to open its doors.
Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...
During a wild weekend in Las Vegas, four young friends get into trouble with a loan shark and must skip town in a hurry. But gambling problems may be the least of their worries after they get stranded in the Nevada desert. One of the guys discovers a mysterious metal fragment, then promptly goes missing during the night. When the remaining three catch up with their lost friend, there's something different about him. As his condition worsens, the others realize that something unearthly might be stalking them in the desert.
There are surveillance cameras all around us in the streets, but once the dead stare into them they become "Death Cams", projecting things out of this world. In an elevator, at a convenience store and a questionable occurence at an intersection. This horror documentary is a collection of bizarre and frightening videos captured by "surveillance cameras", of which there are said to be more than 4 million all across Japan!
A young woman studying the habits of webcam chat users from the apparent safety of her apartment witnesses a brutal murder online and is quickly immersed in a nightmare in which she and her loved ones are targeted for the same grisly fate as the first victim.
When a young boy contracts a mysterious illness, his mother must decide how far she will go to protect him from terrifying forces in her past.
Special Agent Jennifer Marsh works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.
Roommates Nick and Dave are attacked by a masked, hulking figure that has broken into their house. You'd think that'd be the worst of their problems, right? Yeah. You'd think.