El Octavo Día, La Creación

Misty Luggins sets a trap for the Bad Guys, but they were already caught and in custody for another crime; stealing a push pop... allegedly.

A story of a polyamorous, non-binary relationship struggling to survive an epidemic of genetically modified killer mosquitos.

This animated short is a visual representation of Goethe's poem, The ErlKing that uses sand-on-glass animation set to the music of Franz Schubert. The moving images, resembling woodcuts, capture the haunting, nightmarish quality of the tale of the ErlKing who steals and kills a little boy.

an intuiting of the core feelings of the Moses story relating to the current capitalistic global system all told through a hybrid of stop motion animation and live action.

This is a classing Jordan animation, primarily in B/W, with touches of color. Actually, the engraved art work was film on color negative, so that subtle variations in tone are recorded. The mood-enhanced by John Davis' original music-is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The scenes, in the usual Jordan manner, follow the surreal principle of placing objects and people where the ought not to be, and making movements that in the waking world are impossible. Each scene is a kind of drama from another world.

Following reports of a mysterious crash, an aging farmer encounters a visitor determined on disrupting his quiet way of life.

In a time of universal manipulation, deceit and monopoly a failed attempt to strip our identity both individual and collective are transcended by our true in identity in Christ the Lamb.

A series of random interconnected segments of a what goes through ones mind.

A serial killer who frames bystanders turns a retreat and investigation to a nightmare.

Misha observes the area with binoculars. In the infinite white, he notices Gia, as lonely as himself.