3 Working Days 2024 - Movies (Dec 10th)
Bark 2023 - Movies (Dec 10th)
Joker Folie à Deux 2024 - Movies (Dec 10th)
Sugarcane 2024 - Movies (Dec 10th)
Pride From Above 2023 - Movies (Dec 10th)
How to Make Gravy 2024 - Movies (Dec 10th)
Freuds Last Session 2023 - Movies (Dec 10th)
Undisputed 2024 - Movies (Dec 10th)
Jamie Foxx What Had Happened Was... 2024 - Movies (Dec 10th)
Arab Women Say What 2023 - Movies (Dec 10th)
EPCOT Becoming Inside the Transformation 2024 - Movies (Dec 10th)
Heretic 2024 - Movies (Dec 10th)
Bogart Life Comes in Flashes 2024 - Movies (Dec 10th)
Love Bomb 2024 - Movies (Dec 10th)
The Best Christmas Pageant Ever 2024 - Movies (Dec 10th)
Three Stooges Comedy Collection 2024 - Movies (Dec 9th)
The Well 2023 - Movies (Dec 9th)
Leahs Perfect Gift 2024 - Movies (Dec 9th)
Wrong Numbers 2024 - Movies (Dec 9th)
Venom The Last Dance 2024 - Movies (Dec 9th)
Never Let Go 2024 - Movies (Dec 9th)
The Rap Game UK - (Dec 10th)
The Princes Master Crafters - (Dec 10th)
Escape to the Country - (Dec 10th)
Katy Tur Reports - (Dec 10th)
Gutfeld - (Dec 10th)
Hannity - (Dec 10th)
Jesse Watters Primetime - (Dec 10th)
Outnumbered - (Dec 10th)
The Five - (Dec 10th)
The Ingraham Angle - (Dec 10th)
Chris Jansing Reports - (Dec 10th)
Andrea Mitchell Reports - (Dec 10th)
Four in a Bed - (Dec 10th)
Deal or No Deal - (Dec 10th)
Homes Under the Hammer - (Dec 10th)
The Chase Australia - (Dec 10th)
Britain’s Most Evil Killers - (Dec 10th)
The 11th Hour with Stephanie Ruhle - (Dec 10th)
Letters and Numbers - (Dec 10th)
Watch What Happens Live with Andy Cohen - (Dec 10th)
At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
A Bit of Scarlet excavates clips from Britain's cinema archives to create a moving and humorous testament to the closeted gay and lesbian images from filmmaking's earliest days.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach.
This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.