Puleng

It was the perfect hiding spot. No one would find him there.

Look out: Beryl's back. With Affairs of the Art, British animator Joanna Quinn recounts another gloriously unhinged chapter in the adventures of Beryl, the comic everywoman she unleashed upon the world with her debut film, Girls' Night Out, which took home three major awards from Annecy in 1987.

The intertwining fates of two Vietnamese sisters who sustain a wartime relationship through written correspondence.

The Flying Sailor is based on the Halifax Explosion of 1917 when two ships collided in the Halifax Harbour causing the largest accidental explosion in history. Among the tragic stories of the disaster is the remarkable account of a sailor who, blown skyward from the deck of a British cargo steamer, flew over 2 km before landing completely unharmed, but naked except for his boots.

In a fantasy world, a griffin embraces his fate and goes on an epic journey to find a legendary creature : The Human.

A girl is being projected on a screen while a pair of disembodied lips (“God”) rambles about sex. At the same time, a boy and a man look at the girl. As the scene unfolds, the girl reaches out of the projector screen, takes hold of the male figures, and makes them disappear between her legs.

Manual Man follows a progression of men whose bodies transform into furniture and appliances after reading various instruction manuals.

On the eve of Christmas, the tears of the poor girl Marusia melted the cold and indifferent heart of the wealthy landlord. Based on the fairy tale “Tear” by the Ukrainian writer Marko Cheremshyna.

A beautiful and hard-working girl lived in a Ukrainian village. She fell in love with a guy, but he was destined to die, and the girl has to hide from courtship and matchmaking of bothersome suitors. Her heart did not lie to any of them, and she decided to turn to a healer for help. What will be the fate of a young Ukrainian woman? The film is based on the poem by Taras Shevchenko.

In a sterile white examination room, a young woman is asked by a doctor to undress completely. An exhaustive examination of the protagonist’s skin begins during which every centimetre, the palm of her hand, the sole of her foot, the back and also the genital area are closely scrutinised. The doctor meticulously probes every nook and cranny of the young woman’s outer shell until she is able to identify a suspicious birthmark. A timely appointment to remove the mole is made.

In a dark expanse that could be the cosmos, we hear the voice of Arthur C. Clarke, whose face - taken from a BBC archive dating back to the 1960s - appears in the distance. His features quickly dematerialize into a multitude of shimmering pixels, creating an enveloping and immersive space out of which the thoughts of the famed author of «2001: A Space Odyssey» emerge. At the heart of this spectral environment, and with a magnetic voice sending us back to the time of cathode ray tubes and the golden age of television broadcasting, A C. Clarke tells us about the arrival of digital revolution, decades ahead of his time. This film is an invitation to travel, and a crepuscular form of poetry to be experienced immersively.