Celery Stalks at Midnight

The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

A musical about an unhappy couple and the man that stands between them. Preserved by the Academy Film Archive in 2015.

Two brothers are stood up and lament through song. Preserved by the Academy Film Archive in 2015.

Stop-motion puppetry version of the classic fairy tale. Preserved by the Academy Film Archive in 2004.

A classic tale retold with Harryhausen's trademark animation. Preserved by the Academy Film Archive in 2004.

"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains. Preserved by the Academy Film Archive.

Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.

A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.