Freuds Last Session 2023 - Movies (Dec 10th)
Jamie Foxx What Had Happened Was... 2024 - Movies (Dec 10th)
Arab Women Say What 2023 - Movies (Dec 10th)
EPCOT Becoming Inside the Transformation 2024 - Movies (Dec 10th)
Heretic 2024 - Movies (Dec 10th)
Bogart Life Comes in Flashes 2024 - Movies (Dec 10th)
Love Bomb 2024 - Movies (Dec 10th)
The Best Christmas Pageant Ever 2024 - Movies (Dec 10th)
Three Stooges Comedy Collection 2024 - Movies (Dec 9th)
The Well 2023 - Movies (Dec 9th)
Leahs Perfect Gift 2024 - Movies (Dec 9th)
Wrong Numbers 2024 - Movies (Dec 9th)
Venom The Last Dance 2024 - Movies (Dec 9th)
Never Let Go 2024 - Movies (Dec 9th)
Transformers One 2024 - Movies (Dec 9th)
Strange Darling 2023 - Movies (Dec 8th)
The Jack in the Box Rises 2024 - Movies (Dec 8th)
Suckers 2024 - Movies (Dec 8th)
Chateau 2024 - Movies (Dec 8th)
Sugarplummed 2024 - Movies (Dec 8th)
Deadly Fiancée 2024 - Movies (Dec 8th)
The 11th Hour with Stephanie Ruhle - (Dec 10th)
Letters and Numbers - (Dec 10th)
Watch What Happens Live with Andy Cohen - (Dec 10th)
Return to Las Sabinas - (Dec 10th)
Reality of Wrestling - (Dec 10th)
Love Island Australia - (Dec 10th)
Rugged Rugby- Conquer or Die - (Dec 10th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.
After Prisoners of the war and On the Heights all is Peace, this film concludes Yervant Gianikian and Angela Ricci Lucchi's trilogy on the first world war. From the emblem of totalitarianism to individual physical suffering, the directors use this representation of man's rampaging violence to draw up an anatomical inventory of the damaged body and examine the consequences of the conflict on children, from 1919 to 1921. From the deconstruction to the artificial reconstruction of the human body, they try to understand how humanity can forget itself and perpetuate these horrors.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.
This playful video from famed director and photographer Tracey Moffatt turns the tables on traditional representations of desire to examine the power of the female gaze in the objectification of men’s bodies. HEAVEN begins with surreptitiously taped documentary footage of brawny surfers changing in and out of bathing and wet-suits. While the soundtrack switches between the ocean surf and male chanting, Moffatt moves closer to alternately flirt with and tease her subjects, who respond with a combination of preening and macho reticence.