Palestine Is Still the Issue

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

The tape-recorded words “erase it” take on new weight in the context of history and war. When the state of Israel was established in 1948, war broke out and hundreds of Palestinian villages were depopulated in its aftermath. Israelis know this as the War of Independence. Palestinians call it “Nakba” (the Catastrophe). In the late 1990s, graduate student Teddy Katz conducted research into a large-scale massacre that had allegedly occurred in the village of Tantura in 1948. His work later came under attack and his reputation was ruined, but 140 hours of audio testimonies remain.

When 18 children – nine from Palestine and nine from Israel – come together to form a kids soccer team, they come face-to-face with the other side for the first time in their lives. United by the common goals of teamwork and dedication to a shared purpose, they confront generations of fear head on. Is peace through sports really possible, or is it hopelessly naive to think that a handful of 12-year-old soccer players can begin to change their world?

Hasan Hourani, a Palestinian poet and illustrator, died aged 29 in Jaffa while trying to rescue his nephew from the sea. Shortly after, the filmmaker Mais Darwazah discovers his drawings and poems and feels drawn to Hourani's world— a universe outside space and time; a place of wonder, discovery, and freedom. Motivated by this kinship, Darwazah embarks on a journey to her homeland, Palestine: a place she has never known.

The painful personal stories of five Palestinian kids, ages 7-17, open a window into the world of Palestinian minors under Israeli occupation - trapped within the violence, humiliation, and daily confrontations with soldiers and settlers - while remaining children in every way. Each child finds his or her own way to cope and to construct emotional and political worlds in an impossible situation.

Scenes from a production of The Diary of Anne Frank are combined with footage of young Palestinians talking candidly about war, first love and topics that Frank wrote about as a teenager.

Prominent Columbia University English and Comparative Literature professor Edward Said was well known in the United States for his tireless efforts to convey the plight of the Palestinian people, and in this film shot less than a year before his death resulting from incurable leukemia, the author of such books as {-Orientalism}, {-Culture and Imperialism}, and {-Power, Politics, and Culture} discusses with filmmakers his illness, his life, his education, and the continuing turmoil in Palestine. Diagnosed with the disease in 1991, Said struggled with his leukemia throughout the 1990s before refraining from interviews due to his increasingly fragile physical state. This interview was the one sole exception to his staunch "no interview" policy, and provides fascinating insight into the mind of the man who became Western society's most prominent spokesman for the Palestinian cause.

Documentarian Ra'anan Alexandrowicz accompanies a Palestinian tour group on a three-day sight-seeing trip to Israel.

Gaza Ghetto: Portrait of a Family, 1948 – 1984 is a documentary film about the life of a Palestinian family living in the Jabalia refugee camp. The film, created by Joan Mandell, Pea Holmquist, and Pierre Bjorklund in 1984 is believed to be the first documentary ever made in Gaza. The film features Ariel Sharon, Binyamin Ben-Eliezer and soldiers on patrol "candidly discuss[ing] their responsibilities." The film follows a refugee family from the Gaza Strip who visit the site of their former village, now a Jewish town in Israel. As the grandfather and great-grandfather point out an orchard and sycamore fig that belonged to Muhammed Ayyub and Uncle Khalil, an Israeli resident appears and tells them to leave, claiming they need a permit to be there. The mother tells him that, "We work in Jaffa and Tel Aviv and that's not forbidden," to which he replies, "Here it's forbidden."

GAZA brings us into a unique place beyond the reach of television news reports to reveal a world rich with eloquent and resilient characters, offering us a cinematic and enriching portrait of a people attempting to lead meaningful lives against the rubble of perennial conflict. Throughout its entire history the Gaza Strip has been witness to conflict and upheaval. From ancient times this tiny coastal territory, located at a crossroads between continents, has been a pawn whose fate rested in the hands of powerful neighbours.