Le voci di dentro

Paris, in 1942. The wearing of the yellow star is decreed. On the verge of bankruptcy, Joseph Haffmann, a Jewish jeweler, offers his employee, Pierre Vigneau, to entrust him with his shop if he agrees to hide it until the situation improves for the Jewish community in France. Will Peter take the risk to clandestinely host his "old" boss? And if so, under what condition? Pierre finally accepted. Named six times for Molières, four times awarded, this play by Jean-Philippe Daguerre has been adapted for the cinema with, in the main roles, Daniel Auteuil, Sara Giraudeau and Gilles Lellouche. The film will be released in 2021.

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.

Live theatre presentation of Shakespeare's classic play about two teenagers from warring families whose love affair ends in tragedy.

"To invent a wife when you're single, and you want to seduce a young woman who claims to be attracted only to married men, you still have to lie. To make your new conquest believe that you live in the superb duplex that you keep during the holidays, you must always lie. For Serge, this cascade of lies will lead to new catastrophic fabrications, but also reveal astonishing truths. His professional and sentimental life will be turned upside down, dragging his best friends into its whirlwind. The only certainty of this story, is that WITHOUT LIE, nothing would have happened. "

The Almost French Comedy tackles another classic by Molière, "The School of Women". A fop as a hero, an attractive heroine and a thwarted love story: the ingredients are there, but the staging is not classic. The troupe invites spectators to a Bollywood version, based on Molière's play.

"At the end of the war, despite the loss of one of their two daughters at Auschwitz and with the vain hope of finding the other entrusted to the Carmelites, a dentist and his wife are trying at all costs to return to life. Perhaps the Promised Land will heal their sorrows ... "