Andy Warhol: A Documentary Film

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Tongue-in-cheek look at 20-something singles clubbing and partying in L.A. Voice-over narration, charts and graphs, and visits to a research laboratory punctuate the story of a single night when groups of friends go out, drink alcohol, take drugs, dance and talk, and look for someone to go home with.

During the era of hyper-formulated pop music in the early 1980s, The Dream Syndicate emerged from Los Angeles as a sensation with their gritty, guitar-driven sound that relied heavily on feedback. How Did We Find Ourselves Here? chronicles the band's journey from their early beginnings, through conflicts with former friends, battles with major record labels, and disbandment, to their eventual reunion in 2012. Despite never achieving widespread commercial success, the band maintains a devoted fanbase and commands great respect from musicians around the globe for their significant influence.

On August 1, 1942, a 22-year-old Mexican American man was stabbed to death at a party. To white Los Angelenos, the murder was just more proof that Mexican American crime was spiraling out of control. The police fanned out across LA, netting 600 young Mexican American suspects. Almost all those taken into custody were wearing the distinctive uniform of their generation: Zoot Suits. The tragic murder and the injustice of the trial that followed, coupled with sensational news coverage of both, fanned the flames of the racial hostility that was already running rife in the city. Within months of the verdict, Los Angeles was in the grip of some of the worst violence in its history.

These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?

"The 1984 Los Angeles Comedy Competition with Host Jay Leno," the first stand up comedy special featuring Jay Leno with 25 minutes of never-before-seen footage of Leno's classic comedy club. act that made him a star. The show took an "American Idol" approach to stand-up comedy with Jay Leno hosting a competition that features competing stand up comics Ray Combs, Howie Gold, Jeff Gerbino and Steve Oedekerk performing in front of a live crowd and a panel of celebrity judges that includes funnyman Fred Willard.

A much loved Parisian-style bistro located in Los Angeles between a thriving McDonalds and KFC, Belle Vie is owned and operated by the charming and hopeful Vincent Samarco, who struggles to adapt, survive and keep the bistro alive in the midst of a pandemic that has ravaged small businesses everywhere.

A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.