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This is a breathtaking piece of cinema. I haven't read the text for over forty years, so I cannot swear to the accuracy with which Pasolini reflects the actual gospel, but what is immediately striking is just how aggressive his version of "Cristo" is. Enrique Irazoqui is undoubtedly a beautiful man to look at, but unlike in so many more commercial iterations of this story, his character is portrayed as a strong, demanding and forceful personality. His sermons are powerful instructions to, even condemnations of, the populace. Certainly there is love, but it is a tough love which only evolves as the story does. This characterisation is also surprisingly political. I wouldn't say he is simply to the left or to the right, as we might consider politics nowadays, but he definitely has strong views on corruption, of the venality of society and of the need to care for and to be cared for by each other. The delivery of this potent message hits the mark well. The dialogue is actually quite sparing, much of the audio comes from a mixture of classical music (Bach and Mozart feature prominently) along with themes than sound more African in origin. The photography is intense, no other word for it. The grand scale cinematography well complimented by the close, intimate imagery of the faces of the cast as the story unfolds in an unashamedly emotional (but not sentimental) fashion. I saw this recently again on a big screen and that only enhanced the vividness and vigour of the whole enterprise.
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.
Having fought in the First Carlist War, Martin returns to his family farm in Gipuzkoa only to find that his younger brother, Joaquín, towers over him in height. Convinced that everyone will want to pay to see the tallest man on Earth, the siblings set out on a long trip all over Europe, during which ambition, money and fame will forever change the family’s fate. A story based on true events.
Vicente Ferrer traveled to India in his youth as a member of a Jesuit mission. Years later, he returns to the Asian country in the company of a group of collaborators to develop his humanitarian work. Agustín Crespi directs this biographical film that takes place in India and reviews the last 30 years of the Spanish aid worker and his struggle to help the most disadvantaged . Vicente Ferrer was a figure admired for his humility, his perseverance and his dedication to others, work that was recognized with prestigious awards as the Prince of Asturias de la Concordia. Manuel Arias takes on the challenge of embodying the former curator of Barcelona, a man whose complex idiosyncrasies try to reveal this work. A personality impossible to understand completely without the figure of Anna Ferrer, played by Aída Folch. Folch incarnates the English girl who fell in love with the worker, given in body and soul, from the age of 21, to the cause of her future husband.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
From double BAFTA nominated Writer and Director John Walsh. Monarch is part fact, part fiction and unfolds around one night when the injured ruler arrives at a manor house closed for the season.