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Gangland Chronicles - (Oct 1st)
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American Sports Story - (Oct 2nd)
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The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
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On Patrol- Live - (Jan 18th)
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My Lottery Dream Home - (Jan 18th)
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**Almost like any other horror film, but enjoyable.** From the director of 'San Andreas'. The film released after a couple of years delay. I don't know what's the reason, but surprisingly it was a much better film than I expected. It had a decent cast, particularly for a small budget horror, it was a well made film. Even the screen-writing was good. They should have improved it a bit, but still not a bad film with all the fine performances. This is about a man who can enter the minds of the possessed ones by the evil spirits. Like most of the horror films, the exorcist has a person feud with one particular spirit. So after searching for it many years, he finds that a boy was possessed by the same spirit. Now it's his time to avenge whatever he had suffered from earlier in his life. The horror film fans and film fanatics might think it is an average, but for the common people it will work fine. There are some good moments in the film. Overall, well designed film in those crucial parts. You are going to see totally a different Aaron Eckhart, especially being in the lead. So I feel it is worth a try. _6½/10_
**A film good enough to watch once or twice, but not more.** The universe of horror films about demons, and demonic possession, now seems to be a little overloaded, and the lack of capacity for creative ideas, or those that justify yet another film, invariably leads to the emergence of some bizarre things. This is the case in this film, where Dr. Ember, a man who has psychic powers and can project outside the body, fights the devil directly, going to meet him and helping the soul of the person he is trying to deceive. Don't get me wrong: the film has its merits and entertains its audience in a pretty decent way. As a horror film, and despite never scaring anyone, it achieves the necessary tension to work and is able to maintain it throughout the action. I just found it bizarre, but that's a matter of personal taste and not a defect. Let me develop: by placing at the center of the action a psychic who uses rational and scientific methods to combat Evil, I felt that the film tried to take a “scientific approach” to demonic possession and, perhaps, reach a wider audience, those skeptic who does not so easily believe in the effectiveness of religious rituals. I could be wrong, but that was the feeling I got. After that, the script introduces more things and, then, there are more serious problems: did anyone really buy that whole story about Dr. Ember already knowing that demon and chasing him for years? A personal crusade? Seriously? And does anyone really believe that the Catholic Church is going to call in a scientist because they think their rituals won't work? The film ends with an attempted twist that we see coming from miles away. On a technical level, the film doesn't really have much to present to us: most of the aspects that we usually appreciate are almost all within the standards of common popcorn cinema, which we watch without thinking much about and forget about five minutes after finishing. Cinematography, sets, costumes, editing, filming… everything is up to standards. There are no major errors nor any particular merit. The visual effects and CGI team is a different case: there are some well-achieved, albeit discreet, effects, especially towards the end. The cast is one of the film's strong points: Aaron Eckhart did a decent job, but what he does is quite far from the best he's ever done in cinema. He is a solid, charismatic and competent protagonist, but he does not have material capable of imposing demands on him and forcing him to make additional efforts. Carice Van Houten (who became particularly famous after her work on the series “Game of Thrones”) is convincing as the anguished mother of the boy targeted for possession, but despite this, she is very underutilized. Catalina Moreno, who I met in “Maria Full of Grace”, at the beginning of her career, does interesting work and provides welcome support.
In Moscow, the priest Owen hires a team to guide him in the underworld to find his friend Sergei that is missing while researching the legend about the existence of demons and an entrance to hell beneath the city.
A family must put faith in a mysterious priest when an demonic force, connected to a decades-old murders in their home, possesses their daughter.
Sutekh, the dark pharaoh from another dimension, sends his own puppet, Totem, to continue his quest to kill Rick and steal the magic which animates the puppets.
Two French journalists become embroiled in a criminal plot in New York City involving a disappeared United Nations diplomat.
In a cheap motel near Peckham California, a maid discovers a man's corpse in one of the rooms. The dead man, Professor Grabowski, is associated with the Brandt Research center, and an autopsy reveals he died of a massive coronary during sexual intercourse. Another similar death is discovered almost immediately, this time a younger man. This causes the federal government to send in Agent Neil Agar (William Smith) to get to the bottom of things. The socially distant Dr. Susan Harris (Anitra Ford), who is in charge of some mysterious research in bee culture, becomes a key suspect for Agar.Agar manages to piece the puzzle together himself, but before he can apprehend Dr. Harris, she lures Julie into her lab and begins the transformation process on her. Agar arrives in time to stop the procedure, firing a bullet into Harris's machine and breaking it. The lab begins to explode, and the bee girls slowly die, including Dr. Harris. The film ends as Agar and Julie begin a romantic interlude.
Ellen receives an exotic mask by mistake and begins to have waking nightmares and hallucinations. Her husband and doctors believe she is a paranoid schizophrenic and take her to a psychiatric ward. On the way to the hospital the car breaks down, her husband rushes off to get gas, and the Nightmare Man appears. Ellen escapes and stumbles upon a country house where two young couples are spending the weekend. They do not know if the killer is real or just a figment of Ellen's tortured mind nor if the killer is outside or already inside the house.
Four guys on a bachelor party get off the subway at a station that shut down in the 70's and, after watching a transit cop get brutally murdered, find themselves running for their lives beneath the streets of NY.
Inspired by an infamous online video clip of a son beating his mother, a television crew from Belgrade comes to a remote Serbian village to shoot a report on violence against women. Inquiring with the locals about the protagonists of the video, they encounter a local expert on supernatural phenomena and learn about a ritual of summoning an ancient demon, naprata. Wanting to capture the first authentic footage of something otherworldly, they change their plans. Excited by the prospective success of the recording, they defy the old saying that "it's better to believe than to be convinced."
After the mysterious death of his Aunt, a confirmed skeptic lawyer, Bryan Becket, dismisses reports that her house is haunted and moves in. Immediately occurrences begin he cannot explain. And beyond the occurrences there is something about the house which gnaws at Becket - some strange connection he senses he has with the house's past. Soon, the haunting turns personal.
Coogan, an Arizona deputy sheriff goes to New York to pick up a prisoner. While escorting the prisoner to the airport, he escapes and Coogan heads into the city to recapture him.
Set during World War II, a German army garrison is sent to guard a mountain pass in a village in Romania's Carpathian mountains and sets up barracks in an ancient stone fortress. Two of the soldiers unwittingly release a mysterious entity that kills or corrupts those within its influence, drawing the attention of a Gestapo commander, a Jewish scholar and a mysterious traveller.