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Yeah... this was done on the cheap, that's sort of obvious from the start. But, you know, that isn't always a bad thing. Look at what the movie is about, spies ala Nightmare on Elm Street, it doesn't really need to be a big budget film to be fun and watchable. And it is fun and watchable. Dennis Quaid was the absolute best pick for the role, his personality (which is usually watchable) meshes well with the character, and the character he plays is written brilliantly for the role. The heroic and lovable slacker, but a slacker of near epic proportions that rises up to the situation. You couldn't cast better in 1984. And then he's paired against Max Von Sydow who, in his lifetime, won far less awards than he was worth. He was one of the best actors to ever live and he's in a B science fiction movie. He's a guy that brings his A game to everything. So out the door it has great casting going for it. But then, moving on from that, the plot is just fun, not at all too serious, it knows what sort of movie that it is, it knows it's budget and limitations, and it is presented with the appropriate seriousness and tongue-in-cheek to keep the audience engaged from start to finish. It's not at all a perfect movie, but it is a fun movie, it is an entertaining movie. It doesn't have much to complain about (save for Nightmare on Elm St did it better) but it does have what it takes to keep you engaged, entertained, and at the end, satisfied.
**_Is murdering people in their dreams viable?_** A young man with extraordinary psychic abilities (Dennis Quaid) is coerced into participating in experimental dream techniques by his former mentor (Max Von Sydow). While he flirts with the assistant (Kate Capshaw), a mysterious government official (Christopher Plummer) is interested in using the new technique as a political weapon. Eddie Albert plays the president while David Patrick Kelly is on hand as a psychic of dubious morality. “Dreamscape” (1984) combines dream-oriented sci-fi with political thriller for an entertaining flick. Young Quaid makes for a good protagonist while Kate is alluring in her voluptuous way (and less annoying than in “Temple of Doom”). The concept of killing people in their dreams is fascinating and implemented in a realistic way compared to the contemporaneous “A Nightmare on Elm Street.” While it borrows a little from “Scanners” from a few years prior, it’s unique enough and would influence future flicks like "Nightwish,” “The Cell” and “Inception.” Some people today criticize it as “dated” but, come on, it was made in friggin’ 1983. The movie runs 1 hour, 39 minutes, and was shot in several spots in California (Los Alamitos Racetrack, Union Station in Los Angeles, West Hollywood, Point Mugu, University of the Pacific in Stockton, Santa Clarita and Bronson Caves). GRADE: B
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Albert Renaud, a young French Canadian dreams of becoming a movie star and take the train to Hollywood. His trip is filled with adventures.
Punyalan Agarbattis is the story of Joy Thakkolkaran, a young entrepreuner from Thrissur. His new business venture 'Punyalan Agarbattis' involves manufacturing agarbattis from elephant dung. Fragrance and quality of his incense sticks aside, its mosquito repellant capabilities too have pleased those who tried the samples. However, Joy suddenly has a new set of people and problems as 'Punyalan Agarbattis' comes to a halt.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature.
A young social outcast in Australia steals money from her parents to finance a vacation where she hopes to find happiness, and perhaps love.
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds - with some words of wisdom from actor Peter Falk - that it might be possible for him to take human form.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
A master thief coincidentally is robbing a house where a murder—in which the President of the United States is involved—occurs in front of his eyes. He is forced to run, while holding evidence that could convict the President.
Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.