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Ardent followers of iconoclastic Japanese filmmaker Sion Sono will certainly rejoice in the continued surrealistic cinema that erratically meshes a combustion of various themes and genres thus generating a spicy spectacle of action-oriented exuberance. Sono, known for such colorful feisty-minded fare such as Guilty of Romance and Suicide Circle will have one scratching their bewildered noggins trying the grasp the latest twisted tale of sexual and violent gumption in the wildly impish and imaginative gang-bang musical street-tug-of-war crime caper Tokyo Tribe. Outwardly frivolous, frenetic and fueled with a bizarre combination of opulence and outlandishness, Tokyo Tribe will indeed stimulate the senses with its hodge-podge of hedonistic heft in the realm of instantaneous insanity. There is no doubt that Sono's turbulent and tactical offering in Tokyo Tribe is a devoted salute to the memorable gang movies and notable musicals that have graced moviegoers' consciousness throughout the decades of cinema in general. The homage to the influences that Tokyo Tribe festively borrows from is delightfully thrown in one's exhaustive face in gaudy, grand fashion. From obvious gangster tributes to rousing gems such as A Clockwork Orange, Scarface, Ichi the Killer and The Warriors to finger-snapping sing-alongs that include West Side Story and Moulin Rouge, Sono's melodic meltdown of fists, firepower and fury is a serving of potent street turf stew ready to be sampled with sensory overload. Clearly, Tokyo Tribe is proudly off-balanced and curiously unstructured to the point that the free-for-all bombastic action and strife is celebrated with indescribable excitement. Sono's crime and fantasy landscape of a dystopian Tokyo gone up for grabs in clashing ecstasy leaves some wondering if the overwhelming elements of its boisterous flavored parts are truly worth the powder keg production as a whole. Well, Tokyo Tribe dutifully captures the haunting and high-spirited wrath of its yakuza-style boiling point. Although at times seemingly uneven and over-indulgent in its zest for collaborative craziness, Tribe does manage to wink at its super-charged exploitation with a dynamic giddiness that wryly registers. Saddled with sadistic criminal gang-bangers, hip hop-induced tunes piercing through the film's booming soundtrack and skin-clad beauties for the hormones to race aimlessly at will, Tokyo Tribe is both caustic and cockeyed while reveling in its need for the featured Japanese rap musicians to convey a sense of creative yet corrosive urgency in the showcased horror of the furious Far East streets of mayhem. There is something that can be said for Sono's energetic direction of a gun-toting narrative that could easily be dismissed as overblown and pretentiously shocking. This, however, is actually the appeal to Tokyo Tribe because it is willing to be unconventional, unnerving and unapologetic for its pumped-up presentation of wayward will and war on the mean streets and alleyways as carried out by larger-than-life machete-swinging merchants whose taste for blood is undeniable. Sono's frenzied fable of street-minded violators with a code for chaos and conflict is what feverishly steers Tokyo Tribe into a grinding and gritty guilty pleasure of a crime story peppered with dream-like delusion and confusion. Granted that Tokyo Tribe is not as high-minded or observant as Sono's moving The Land of Hope. Still, Tribe feels joyously experimental as a volt-oriented vehicle with reckless promise and panache. The premise is set as twenty-three gangs are vying for ultimate control of the targeted tough streets in futuristic Tokyo in what appears to be a fierce face-off for the ages. Naturally, these gangs (or "tribes" as they are deemed) look to make their presence known within Japan's vulnerable capital city. In particular, the overbearing and menacing overlord Bubba (Rika Takeuchi) envisions taking over the entire region and having dominance over the other crime lords and their minions. The ruthless Bubba means business as he wants the existing tribes at his feet of mercy. Hence, Bubba calls for an all-out war in an attempt to challenge his equally evil-minded rivals. Of course when Bubba and his underlings (including his son) are not trying to take over the Tokyo street operations they look to hook the attention of pretty and prestigious Sunmi (Nana Seino). The jeopardized Sunmi just happens to be the daughter of a prominent local bigshot in the community. Nothing says complete triumph to Bubba and his backers should Sumni succumb to his personal needs within his felonious organization. Soon, the realization comes into focus--the rivals all over Tokyo must come in unison to stop the diabolical Bubba from becoming the master manipulator and prevent him for furthering any power hunger proclivities. Surely the audience will find themselves surrendering to the various devious angles that Tokyo Tribes turns its tricks towards in spontaneous, off-kilter fashion. Over-the-top characterizations, animated violent sequences, fleshy females, combative confrontations, flashy choreographed movements, the aforementioned inclusion of some well-known Japanese rap artists, dizzying colorized overtones, provocative wardrobes, both silly-minded and stirring gang-style antics--all are assembled with weary finesse that propels Tokyo Tribe as an overactive romp that knows its role all too well. And what role is that one might ask? Perhaps to be an entertainingly odd and ludicrous genre flick that acts as an unsettling messenger for our indiscriminate preferences in cinematic mob mentalities and musical musings. Tokyo Tribe (2014) 1 hr. 57 mins. Starring: Young Dais, Ryouhei Suzuki, Nana Seino, Shota Sometani, Riki Takeuchi Directed by: Sion Sono MPAA Rating: R Genre: Gang-Related Fantasy and Suspense/Crime and Drama/Action and Adventure Critic's rating: ** 1/2 stars (out of 4 stars) (c) Frank Ochieng (2015)
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.
Based on Frank Miller's graphic novel, "300" is very loosely based the 480 B.C. Battle of Thermopylae, where the King of Sparta led his army against the advancing Persians; the battle is said to have inspired all of Greece to band together against the Persians, and helped usher in the world's first democracy.
Talented eight year old Tina Denmark will do anything to play the lead in her school musical. Anything! As Tina discovers where her talent comes from, she shows us just what it takes to succeed...
In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.
Anthony Hope's classic tale gets a decidedly 'un-classic' treatment at the hands of Peter Sellers. Following the story somewhat, friends of the new King Rudolph of Ruritania fear for his life, and switch him with a look-a-like London cabby. Throw in two(!) lovely blondes, treachery, and a battle for life and honour, and enjoy life at its zaniest.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.
Juliet, a white girl, falls in love with a dark-skinned romeo, a divine trumpet player from the Roma orchestra. But her father Satchmo doesn't accept Romeo. Romeo needs to fight for Juliet at the legendary Festival of the trumpeters in Gucha.
In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.