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Matthew Perry A Hollywood Tragedy 2025 - ()
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Kraven the Hunter 2024 - ()
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Sugar Mama 2025 - ()
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Old Guy 2024 - ()
Millers in Marriage 2024 - ()
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Ardent followers of iconoclastic Japanese filmmaker Sion Sono will certainly rejoice in the continued surrealistic cinema that erratically meshes a combustion of various themes and genres thus generating a spicy spectacle of action-oriented exuberance. Sono, known for such colorful feisty-minded fare such as Guilty of Romance and Suicide Circle will have one scratching their bewildered noggins trying the grasp the latest twisted tale of sexual and violent gumption in the wildly impish and imaginative gang-bang musical street-tug-of-war crime caper Tokyo Tribe. Outwardly frivolous, frenetic and fueled with a bizarre combination of opulence and outlandishness, Tokyo Tribe will indeed stimulate the senses with its hodge-podge of hedonistic heft in the realm of instantaneous insanity. There is no doubt that Sono's turbulent and tactical offering in Tokyo Tribe is a devoted salute to the memorable gang movies and notable musicals that have graced moviegoers' consciousness throughout the decades of cinema in general. The homage to the influences that Tokyo Tribe festively borrows from is delightfully thrown in one's exhaustive face in gaudy, grand fashion. From obvious gangster tributes to rousing gems such as A Clockwork Orange, Scarface, Ichi the Killer and The Warriors to finger-snapping sing-alongs that include West Side Story and Moulin Rouge, Sono's melodic meltdown of fists, firepower and fury is a serving of potent street turf stew ready to be sampled with sensory overload. Clearly, Tokyo Tribe is proudly off-balanced and curiously unstructured to the point that the free-for-all bombastic action and strife is celebrated with indescribable excitement. Sono's crime and fantasy landscape of a dystopian Tokyo gone up for grabs in clashing ecstasy leaves some wondering if the overwhelming elements of its boisterous flavored parts are truly worth the powder keg production as a whole. Well, Tokyo Tribe dutifully captures the haunting and high-spirited wrath of its yakuza-style boiling point. Although at times seemingly uneven and over-indulgent in its zest for collaborative craziness, Tribe does manage to wink at its super-charged exploitation with a dynamic giddiness that wryly registers. Saddled with sadistic criminal gang-bangers, hip hop-induced tunes piercing through the film's booming soundtrack and skin-clad beauties for the hormones to race aimlessly at will, Tokyo Tribe is both caustic and cockeyed while reveling in its need for the featured Japanese rap musicians to convey a sense of creative yet corrosive urgency in the showcased horror of the furious Far East streets of mayhem. There is something that can be said for Sono's energetic direction of a gun-toting narrative that could easily be dismissed as overblown and pretentiously shocking. This, however, is actually the appeal to Tokyo Tribe because it is willing to be unconventional, unnerving and unapologetic for its pumped-up presentation of wayward will and war on the mean streets and alleyways as carried out by larger-than-life machete-swinging merchants whose taste for blood is undeniable. Sono's frenzied fable of street-minded violators with a code for chaos and conflict is what feverishly steers Tokyo Tribe into a grinding and gritty guilty pleasure of a crime story peppered with dream-like delusion and confusion. Granted that Tokyo Tribe is not as high-minded or observant as Sono's moving The Land of Hope. Still, Tribe feels joyously experimental as a volt-oriented vehicle with reckless promise and panache. The premise is set as twenty-three gangs are vying for ultimate control of the targeted tough streets in futuristic Tokyo in what appears to be a fierce face-off for the ages. Naturally, these gangs (or "tribes" as they are deemed) look to make their presence known within Japan's vulnerable capital city. In particular, the overbearing and menacing overlord Bubba (Rika Takeuchi) envisions taking over the entire region and having dominance over the other crime lords and their minions. The ruthless Bubba means business as he wants the existing tribes at his feet of mercy. Hence, Bubba calls for an all-out war in an attempt to challenge his equally evil-minded rivals. Of course when Bubba and his underlings (including his son) are not trying to take over the Tokyo street operations they look to hook the attention of pretty and prestigious Sunmi (Nana Seino). The jeopardized Sunmi just happens to be the daughter of a prominent local bigshot in the community. Nothing says complete triumph to Bubba and his backers should Sumni succumb to his personal needs within his felonious organization. Soon, the realization comes into focus--the rivals all over Tokyo must come in unison to stop the diabolical Bubba from becoming the master manipulator and prevent him for furthering any power hunger proclivities. Surely the audience will find themselves surrendering to the various devious angles that Tokyo Tribes turns its tricks towards in spontaneous, off-kilter fashion. Over-the-top characterizations, animated violent sequences, fleshy females, combative confrontations, flashy choreographed movements, the aforementioned inclusion of some well-known Japanese rap artists, dizzying colorized overtones, provocative wardrobes, both silly-minded and stirring gang-style antics--all are assembled with weary finesse that propels Tokyo Tribe as an overactive romp that knows its role all too well. And what role is that one might ask? Perhaps to be an entertainingly odd and ludicrous genre flick that acts as an unsettling messenger for our indiscriminate preferences in cinematic mob mentalities and musical musings. Tokyo Tribe (2014) 1 hr. 57 mins. Starring: Young Dais, Ryouhei Suzuki, Nana Seino, Shota Sometani, Riki Takeuchi Directed by: Sion Sono MPAA Rating: R Genre: Gang-Related Fantasy and Suspense/Crime and Drama/Action and Adventure Critic's rating: ** 1/2 stars (out of 4 stars) (c) Frank Ochieng (2015)
Murakami Naoki is the most intelligent student at his high school, but he can't stop obsessing over a girl named Mizuno Haruka. He finally asks her out, and to his surprise, she accepts. After several months of a loving yet obviously doomed romance, it comes time for them to take the entrance exams for Tokyo University. What will happen to their relationship if only one of them is accepted?
The time spent between professional Shogi player Kiriyama and his three stories helps to heal his wounds. As he prepares to secure another win in an upcoming tournament, the father who left the three sisters appears and disturbs the peace.
This 2 night special takes off during their graduation, where Chiaki-senpai & Nodame left for Europe. The first special centered on Chiaki's story, the story tells about Chiaki's dream to be a conductor. Nodame on the other hand attended the conservatory to attain her dream to one-day play the piano for Chiaki. After her hard work, Nodame was given a chance to have a mini recital. During the recital, Chiaki saw her worth and realized that he cannot go on with out her.
From legendary songs of Papa T. Bop. It follows Iyus, who lives with mother after his father's death. He has imaginary friend, Babah Tbob (only visible to Iyus), who helps him become a genius on his journey.
Onyx rapper Sticky Fingaz directs and stars in this hip-hop musical about a gangster who gets caught up in a bloody war between two feuding crime families while struggling to leave the streets behind. When Black's family raids one of Stick's drug houses and kills two of his men, Stick is forced to choose between leaving it all behind or seeking revenge and feeding the cycle of violence.
Nemesis is the hottest rapper in rap's hottest city; Miami, the 305. But he has a little secret...he's not really a rapper. A record label discovers Nate's talent, and offers to make him a star, as a rapper. They create Nemesis, a Hip Hop gangster designed to sell records and spit hate. Fame quickly follows, but at price.
The queen of soul, Aretha Franklin, and four of the biggest female hitmakers in contemporary pop, Mariah Carey, Celine Dion, Gloria Estefan, and Shania Twain, joined forces for this once-in-a-lifetime concert event, in which they individually sing their hits and team up for a variety of ensemble performances. The night also includes an appearance by legendary songwriter Carole King.
Marie Antoinette is the Korean adaptation of the namesake Japanese musical. The story portrays the “life and love” of Marie Antoinette de Habsbourg-Lorraine, Queen of France. The musical kicked off on Charlotte Theater on July 13, 2021.
In this 3-D science fiction film that was shown at Disney theme parks, the infamous Captain EO and his ragtag crew are sent on a diplomatic mission through space to deliver a gift to the mysterious and menacing Supreme Leader of a desolate industrial planet.
Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is able to share a place with Nick, the janitor of his old High School, and get a job as a singer in a music store. He also meets Leo, a talented pianist and his teacher Anne, whose dream is to singing Opera. When Jamie arrives from England, Danny tries to show him the Brooklyn experience and help him compose modern swing music. Together, these four also try to help Leo get the Brooklyn Music scholarship.
Dark Warrior is the story of Derek Woo, mistakenly targeted by police and the Mob as the prime suspect for a series brutal gangland murders. He is surrounded by gangsters and the police and must stay alive long enough to find the real killers and clear his name.